Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and TheosophyEvans, Henry Ridgely
Religion
Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and Theosophy
Evans, Henry Ridgely
Blavatsky, H. P. (Helena Petrovna), 1831-1891; Spiritualism; Theosophy
One of the most famous of the materializing mediums now exhibiting in the
United States is Annie Eva Fay. She is quite an adept at the spirit-tying
business, and like the Davenports, uses a cabinet on the stage, but her
method of tying, though clever, is inferior to that used by the Brothers
in their balmy days. In the center of the Fay cabinet (a plain, curtained
affair) is a post firmly screwed to the stage. The medium permits a
committee of two from the audience to tie her to this post, and seal the
bandages about her wrists with court plaster. She then takes her seat upon
a small stool in front of the stanchion; the musical instruments are
placed on her lap, and the curtains of the cabinet closed. Immediately the
evidences of _spirit power_ begin: the bell is jingled, the tambourine
thumped, and the sound of a horn heard, simultaneously.
The Fay method of tying is designed especially to facilitate the medium's
actions. Cotton bandages are used, and the committee are invited to sew
the knots through and through. Each wrist is tied with a bandage, about an
inch and a half wide by a half yard in length; and the medium then clasps
her hands behind her, so that her wrists are about six inches apart. The
committee now proceed to tie the ends of the bandages firmly together,
and, after this is accomplished, the dangling pieces of the bandages are
clipped off. It is true, the medium is firmly bound by this process, and
it would be physically impossible for her to release herself, without
disturbing the sewing and the seals, but it is not intended for her to
release herself at all; the method pursued being altogether different from
the old species of rope-tying. All being secure, the committee are
requested to pass another bandage about the short ligature between the
lady's wrists, and tie it in double square knots, and firmly secure this
to a ring in the post of the cabinet, the medium being seated on a stool
in front of the stanchion, facing the audience. Her neck is likewise
secured to the post by cotton bandages and her feet fastened together with
a cord, the end of which passes out of the cabinet and is held by one of
the committee.
Public-domain text, read in full here on John Shaqi.
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