Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and TheosophyEvans, Henry Ridgely
Religion
Hours with the Ghosts or, Nineteenth Century Witchcraft: Illustrated Investigations into the Phenomena of Spiritualism and Theosophy
Evans, Henry Ridgely
Blavatsky, H. P. (Helena Petrovna), 1831-1891; Spiritualism; Theosophy
"The grasp was evidently a tight one above the wrist, for the arm was
bruised for about four inches. There was no evidence of a similar pressure
above that, as the marks on the arm extended in all about five or six
inches only. The pressure was sufficient to destroy the sensibility of the
forearm, and it is doubtful whether Mrs. Gillespie, with her arm in such a
condition could distinguish between the grasp of one hand, with a divided
pressure (applied by the two last fingers and the thumb and index) and a
double grip by two hands. Three of our number, Mr. Sellers, Mr. Furness,
and Dr. White, can, with one hand, perfectly simulate the double grip.
"It is specially worthy of note that Mrs. Gillespie declared that, when
the medium first laid hold of her arms with his right hand before the
curtain was put over them, it was with an undergrip, and she felt his
right arm under her left. But when the medium asked her if she felt both
his hands upon her arm, and she said, yes, she could feel the grasp, but
no arm under hers, though she moved her elbow around to find it--she felt
a hand, but not an arm, and at no time during the séance did she find that
arm.
"It should be noted that both the medium and Mr. Yost took off their coats
before being covered with the curtain. It was suggested by Dr. Pepper that
this might have been required by the medium as a precaution against
movements on the part of Mr. Yost. The white shirt-sleeves would have
shown against the black background."
I attended a number of Keeler's materializing exhibitions in Washington,
D. C., in the spring of 1895, and it is my opinion that the writing of his
so-called spirit messages is a simple affair, the very long and elaborate
ones being written before the séance begins and the short ones by the
medium during the sitting. The latter are done in a scrawling, uncertain
hand, just such penmanship one would execute when blindfolded.
Public-domain text, read in full here on John Shaqi.
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