How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth CenturiesO'Reilly, Elizabeth Boyle
History
How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth Centuries
O'Reilly, Elizabeth Boyle
Architecture, Gothic; Cathedrals -- France
Epitaphs on the walls of St. Quiriace recall two true shepherds of this
church, one, who went daily into the hills to teach children and to tend
on the sick poor in their homes, and the other, who opened up the
forgotten crypt and left a school and presbytery to his parish. There
is a quaintly worded tablet of the XVI century telling of the _haute et
puissante dame_, the Marquise de Chenoise, who had "for God a tender
solid piety; for her husband a submissive, respectful love; for her
children a Christian and reasonable tenderness; for her friends a
sincere and generous affection; for the poor charity without limit; and
for the rest of the world _une bonté, une douceur, une honestété
charmante_." One would not mind being the rest of the world for this
gracious person. Both her sons were killed in one week, fighting under
Turenne, so she passed the last years of her life in a retirement, which
"she sanctified by prayer, and her prayer she nourished and sustained by
good works." The robust piety of Bossuet's preaching breathes in such
records. In St. Remi's abbatial at Rheims is the eulogy of another good
lady of Champagne who was "Rachel in beauty, Rebecca in fidelity,
Suzanna in purity, Tabitha in piety of heart, Ruth in sentiment, and
Anna by good works." Paragons those old-time ladies seemed to be!
ST. YVED AT BRAINE[69]
I am just back from the battle line in that Royal Domain of
Soissons, where the soul of ancient France seems more itself than
in any other region, country of martyrs, and of kings, of
Merovingian crypts, of the donjon of Coucy, of the five apses of
St. Yved--realm of the first race of rulers bearing vestiges of the
greatest history of France.--GABRIELE D'ANNUNZIO, 1914.
Strictly speaking, St. Yved at Braine is not so much a Primary Gothic
monument as it is a link between that first tentative hour and the
fuller development of the national art represented by Rheims and Amiens.
In the same group as Braine, between Primary Gothic and the Era of the
Great Cathedrals, are St. Leu d'Esserent, Montréal, Vézelay's choir, and
the church of St. Laumer at Blois.
Braine, on the ancient Roman highroad between Rheims and Soissons, had
been a farm of the Frankish kings. In the VII century it belonged to
the father of St. Ouen, and it was here that the future bishop of Rouen,
as a child, was blessed by a passing guest, the Irish missionary St.
Columbanus, whose Celtic rule of Luxeuil dominated, in Gaul, the century
called of saints.
Lady Agnes of Braine espoused a son of Louis VI, the turbulent Count of
Dreux (d. 1188), and, from them came the funds for St. Yved, the second
foundation of the new Order of Prémontré. The recorded date of the
enterprise is from 1180 to 1216, but as the church is perfectly
homogeneous, it must have been built in one campaign, probably in main
part before the dedication of 1216.
Public-domain text, read in full here on John Shaqi.
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