How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth CenturiesO'Reilly, Elizabeth Boyle
History
How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth Centuries
O'Reilly, Elizabeth Boyle
Architecture, Gothic; Cathedrals -- France
In that other early monument of French prose, the grave Villehardouin
rises to the historian's plane in depicting the Fourth Crusade.
Joinville cannot be said to have taken in the Sixth Crusade as a whole;
he muddles the battle scenes; he digresses to right and to left in idle
details, then catches himself up with happy ease, as if saying, "Dear
me! I forgot to mention," imparting to his chronicle an inimitable
quality all its own. No one would have Joinville different. Amiable,
jocund, unaffected, the soul of honor, candor itself, he does not fear
to acknowledge that he could tremble with fright in battle despite his
stalwart six feet and over. He beguiled his captivity by trying to
convert a Mohammedan by highly colored descriptions of hell. He whiled
away the long hours in Syria in composing a treatise of theology, a
_Credo_, wherein he warns every _prud'homme_ to hold on to God with both
arms lest that felon, the devil, come between. And the two arms by which
a man was to hold on to God were Faith and Good Works. "You must have
both, if you wish to keep God: one without the other is worthless,"
warns the young seneschal. No quibbling then!
Joinville had also that quality which the French term _enjouement_, hard
to translate, a playful, most lovable frankness, a mocking vivacity
which was for St. Louis a source of relaxation. The king loved
conversation; he thought there was no book so good as _quolibet_, or say
what you please. Some Armenian pilgrims besought of the seneschal a
glimpse of the saint-king. Joinville came merrily to tell his friend,
warning him that he, the seneschal, was not yet prepared to kiss his
bones. And the king laughed, too, but because he knew it would give the
devout Armenians pleasure, he accorded them an interview. Stroke by
stroke, Joinville filled in the picture of Louis IX, and all the while
he unconsciously paints himself as well. He is so eager to make you love
his hero that you learn to love himself. A tear is always close to the
eye in reading Joinville, not that what he relates is sad, but because
this story of a high soul, written by his loyal friend, touches things
that lie deep in all true hearts.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account