How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth CenturiesO'Reilly, Elizabeth Boyle
History
How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth Centuries
O'Reilly, Elizabeth Boyle
Architecture, Gothic; Cathedrals -- France
The city which gave its name to the terrible episode of the XIII century
lies forty miles east of Toulouse. The local saying is, "Who has not
seen the cathedral of Albi and the tower of Rodez has seen nothing."
Albi Cathedral yields to none in its gaunt majesty. It stands apart in
one's visions of travel, as unique a memorial of past history as the
Mount of the Archangel off the coast of Normandy, as Vézelay looking out
over the soft valleys of Burgundy, as Le Puy on its basaltic pinnacles.
Never was a monument more absolutely itself.
[Illustration: _Albi Cathedral (1282-1399). A Midi Fortress Church_]
Unfrequented Albi was once in the stir of life, and over its stone
bridge, built nine centuries ago, have passed the notable folk of the
Middle Ages[235] as they wended their way to Santiago Compostela,
whither all the world was going in those days. Time-scarred houses
border the reddish Tarn; dark, decayed streets climb the hill. At a
curve of the river, bastions and ramparts rise in terraces to a
fortified episcopal palace and--crowning all--the enormous bulk of the
cathedral. Its long, stark wall strikes the sky in a formidable straight
line. The west façade is a massive donjon, four hundred feet above the
Tarn. No welcoming west portals here, no extended transept arms of
sacrificial mercy, no soaring buttress, no leaping pinnacles. Not the
lore of Christ, "Do as you would be done by," seems to have inspired
Albi, but the Hebraic spirit of breaking one's enemies' bones, as if the
Jehovah of the Old Testament, outraged by Albigensian blasphemies, here
asserted himself in a temple that would forever be a looming menace for
heretics.
Albi's forbidding structure rose between those two harsh epochs--the
Albigensian Crusade and the Hundred Years' War. Its aggressive mass was
planned by a most aggressive churchman, Bernard, Cardinal de Castanets,
the city's learned bishop detested of the people as their uncompromising
feudal master, as well as a spiritual chief so harsh in his
inquisitorial functions that a pontifical commission was appointed, in
1306, to repair his excesses. In 1282 Bernard de Castanets laid the
first stone of Albi Cathedral and for twenty years he and the chapter
contributed a twentieth of their revenues. The church was finished by
the sixty-fifth bishop, Guillaume de la Voulte, in the last years of the
XIV century.
To approach the cathedral at its apse end is not so picturesque as from
the river side, but it is formidable enough. The prodigious apse rises
abruptly, imperiously, from the town square. One fairly shivers beneath
its Tolosan brick walls, overtowering and overpowering, broken merely by
a few narrow windows--surely the narrowest ever made in a Gothic
church--and by uniform bastion-tower buttresses. Gargoyles, of as alien
an aspect as those of the Jacobins' at Toulouse, crane their gaunt necks
from the upper walls, as if asking what manner of Gothic this is.
Public-domain text, read in full here on John Shaqi.
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