How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth CenturiesO'Reilly, Elizabeth Boyle
History
How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth Centuries
O'Reilly, Elizabeth Boyle
Architecture, Gothic; Cathedrals -- France
The very history which had been enacted within the walls of the great
abbatial would suffice to make it a national relic. To the
Primary-Gothic church which Suger was building came Louis VII for the
oriflamme, the banner carried before the army in momentous wars. He
shared bed and board with the monks the night before he set forth on the
Second Crusade. To the same early-Gothic church, in 1190, came his son
Philippe-Auguste, to receive the oriflamme for the Third Crusade. The
flame-colored abbey gonfalon on its gold lance flouted the German
emperor when Bouvines' great victory was won in 1214. At the funeral of
Philippe-Auguste, in 1223, a little lad of eight marched to St. Denis'
behind his grandfather's bier. It was the first time that the populace
had beheld their future saint-king, and an old record tells how his
noble bearing gladdened their hearts. At his side walked Jean de
Brienne, king of Jerusalem, leader of the recent Fifth Crusade. When St.
Louis came to St. Denis for the oriflamme in 1247, it was to find a
totally reconstructed church, for Pierre de Montereau had been many
years at work. Joinville in his memoirs described the landing in Egypt
of the Royal Abbey's banner, how for miles the sea was dotted with the
gleaming ships of the crusaders, how the king, standing head and
shoulders above the rest, on perceiving that the leading vessel which
bore the oriflamme had touched shore, leaped into the sea, sword in
hand, with the cry, "Montjoye St. Denis!" And uttering the same battle
cry of France, princes and knights followed. Five years later, tested by
defeat and imprisonment, as fine gold is by fire, Louis IX brought back
the oriflamme to St. Denis. Again he returned for it in 1270 for his
last crusade. Within a year, the whole nation, in mourning, came out to
the abbey. In a reliquary, the king's bones, embalmed with fragrant
spices, had been brought from Tunis, and the new king bore the _châsse_
solemnly, and wherever he paused, on the way from Notre Dame to St.
Denis, a memorial cross was erected. But, to give the annals of the
abbey church would be to tell the history of the French monarchy.
The first time that the gonfalon of St. Denis was carried against
Frenchmen was in 1413, two years before the defeat at Agincourt, in the
black days of the Hundred Years' War, days as fatal to the builders' art
as to the civic life of France. What those dire times were that rent
France to shreds, and how _la fille de Lorraine à nulle autre pareille_
came to the rescue, have been sung by a poet whose high destiny it was
to fall in recent battle. Charles Péguy, in his poem, linked the
momentous epochs of the capital: St. Denis, who brought the Light; Ste.
Geneviève, the sentinel patroness of Paris, who guarded it, and Jeanne
d'Arc, who lifted up the torch from the mire--the torch which the fallen
heroes of the World War have passed on refulgent.
Public-domain text, read in full here on John Shaqi.
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