How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth CenturiesO'Reilly, Elizabeth Boyle
History
How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth Centuries
O'Reilly, Elizabeth Boyle
Architecture, Gothic; Cathedrals -- France
The battle of giants, foreseen in the poet's dream, twice engulfed Noyon
during the World War. From the first occupation by the enemy the city
escaped without serious injury. Then in March, 1918, began the Germans'
desperate advance on Paris. At the end of the month the mayor of Noyon
quitted the city, the last to leave. And in September he was the first
to re-enter Noyon after the second battle of the Marne had driven back
the invaders. He found his town a ruin. Not a single building had
escaped injury, and only ten days earlier a photograph taken from a
French airship had shown that the Renaissance Town Hall and Noyon's
chief square were intact; few monuments had suffered from the occasional
bombardments by the Allies. The Hôtel de Ville had been built in the
dawn of the classic Renaissance, and its fine façades retained much of
the Gothic spirit. Before their departure the invaders blew up the town;
not even Calvin's birthplace was spared. Hardly 10 per cent of the
houses of this amiable little city that asked only to be left unmolested
by the fever and fret of new things are to-day worth reconstruction.
[Illustration: _Noyon's Chapter House (1240-1250)_]
As if by a miracle, the cathedral and a side street named for the old
goldsmith bishop, St. Eloi, were preserved. The cathedral roof is
pierced by shells in a dozen places and the northern tower and the porch
between the towers are smashed, but the interior is but slightly
damaged. In one of the side chapels a vandal fired his pistol many times
at a picture of the Saviour. Perhaps it was the memory that Noyon's
rounded transept ends and forechurch were Germanic which saved the
cathedral. Better is it to remember by a Radegund, by a Charlemagne,
than by Odin and Thor.
THE CATHEDRAL OF SENLIS[48]
To-day analysis has seized on all things, and it is leading us to
death. Man, we must not forget, lives intellectually by
synthesis.... If archæology is to make known the monuments of the
past, it ought, before all else, to try to make them loved, for,
given the uncertitude of the future, it is in that love that they
will find their only chance of safety.
--ÉMILE LAMBIN.[49]
Public-domain text, read in full here on John Shaqi.
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