How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth CenturiesO'Reilly, Elizabeth Boyle
History
How France Built Her Cathedrals: A Study in the Twelfth and Thirteenth Centuries
O'Reilly, Elizabeth Boyle
Architecture, Gothic; Cathedrals -- France
The prelate who built Soissons Cathedral was a remarkable personage and
played a foremost part on the Fourth Crusade. Villehardouin tells us
that it was Bishop Nivelon de Chérisy who was sent as an envoy to
Innocent III, when against papal commands the Crusaders had turned aside
to capture the Christian city of Zara on the Dalmatian coast. The
bishop-ambassador found the pope at Viterbo and obtained from him the
raising of the excommunication on condition that the knights should
proceed direct to Palestine. We all know how, a second time, they went
filibustering. Among the first to scale the walls of Constantinople was
Nivelon de Chérisy; with him was the bishop of Troyes. When the chief
barons met to elect the first Latin emperor of Constantinople, it was
Bishop Nivelon who passed out to the waiting crowd to announce that
Baldwin of Flanders had been chosen--Baldwin who began the Cloth Hall at
Ypres--and it was he who crowned Baldwin in St. Sophia. When that new
emperor was captured by the Bulgars the bishop of Soissons returned to
Europe for aid.
All the time that he was absent in the Holy Land Nivelon had devoted the
revenues of his see toward the renewal of the cathedral. Strangely
enough, it was this same prelate who also built Soissons' choir, which
in scale and plan differs so radically from the transept arm. The
fleeting hour of Primary Gothic was over. The new art was moving forward
swiftly; irresistible the development of its principles and impossible
at such a time that the work of one decade could be similar to the
decade preceding it unless, as at Laon, the primitive plan was
insistently adhered to. Whoever the master that designed Soissons' choir
and nave, he incorporated the perfect transept into his bigger church
with reverence. Not to dwarf it was his main care, for he bowed before
the touch of perfection in his predecessor's work, and sought to give to
his own monument, different though it was, a like clarity and noble
simplicity. Examine the skill with which choir and nave are joined to
the small transept arm. It is lower than they, it has four vertical
stories to their three, and yet no discrepancy is felt. It was as if the
new builder said: "Here is a miracle of force and grace, done in a
fugitive hour never to be recaptured. Let us enshrine it fittingly."
In 1212 services were held in the finished choir. The nave proceeded
without interruption and was in use in the first years of St. Louis'
reign. Probably the final touches were given to it by that bishop of
Soissons of whom Joinville tells, Mgr. Jacques de Castel, _fort et
vaillant homme_, who started with the king on the crusade of 1248. After
Mansourah's battle and the disastrous retreat toward Damietta good
Bishop Jacques felt such a desire "to go to God" that he rushed alone to
attack the infidels, whose swords soon "dispatched him to God's company
with the martyrs."
Public-domain text, read in full here on John Shaqi.
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