How he won herSouthworth, Emma Dorothy Eliza Nevitte
General
How he won her
Southworth, Emma Dorothy Eliza Nevitte
American fiction -- 19th century
When they had marched about three miles through a wasted and desolated
country, they came to a cornfield, where a halt was ordered, and the
prisoners were directed to help themselves, and permitted to rest. The
corn was not near ripe, the ears when the husks were removed being
little bigger than a man’s fore-finger, and the husks still soft; and
the ground was wet with the recent heavy rains. Notwithstanding these
drawbacks, the famished and fatigued prisoners gladly filled their
stomachs with this very green corn, devouring both grain and husks; and
afterwards threw their wearied limbs down upon the damp
ground—imprudences to be fearfully paid for in the disease and death
that afterwards decimated the crowded population of Libby and Belle
Isle.
Having eaten and rested in this fatal manner, the order was given to
rise and fall in line, and the march was resumed.
All that burning day, when “the sky was brass,” they marched. Late in
the afternoon they halted again in an orchard, and supped off green
apples, and immediately resumed the march.
It was near nightfall when they reached Richmond.
There was a short halt, during which their arrival was formally reported
to the proper authorities, and orders for their disposition taken.
And then they were marched directly to the Libby and packed into a
prison that was already crowded.
For what follows I am indebted partly to personal observation, and
partly to the report of an officer who was an inmate of that pest-house
for several months.
The Libby, as I saw it in May, 1865, is a great, strong, oblong building
of the simplest structure. It stands quite alone, a whole block in
itself, reaching each way from street to street. It fronts the water and
the wharfs, and backs upon a city street—though front and back are so
exactly alike that it is difficult to say which is which. It has no wall
or yard around it. It stands barely and grimly out between the streets.
It is of two stories, or, counting the ground floor, of three. Each
story is divided, simply and equally, into three great halls, each big
enough for an ordinary church, and running from front to back through
the whole building. Each hall has its sides formed of solid masonry, and
its ends of three immense doors, formed only of perpendicular iron bars,
and reaching from the ceiling to the floor. Through these bars at the
front may be seen the sidewalk, the river, the wharves, and the busy
scenes of traffic; through the bars of the back a crowded city street.
Through these opposite, open bars the ventilation is very good. There is
neither bed, bench, water-jug or furniture of any sort in either hall.
But in the right hand corner of the front there is, in each, a water
spout and sink.
So, amid all the miserable squalor and destitution of the Libby, there
seemed to be three or four necessaries of life in plenty—light, air,
water and an open view of earth and sky.
Public-domain text, read in full here on John Shaqi.
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