How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
The Germans had by now realised that the great attack had come. Shrapnel
poured into our trenches with the object of keeping our supports from
coming up. They had even got their "crumps" and high-explosive shrapnel
into the middle of our boys before they were half-way across "No Man's
Land." But still they kept on. At that moment my spool ran out. I
hurriedly loaded up again, and putting the first priceless spool in my
case, I gave it to my man in a dug-out to take care of, impressing upon
him that he must not leave it under any circumstances. If anything
unforeseen happened he was to take it back to Headquarters.
I rushed back to my machine again. Shells were exploding quite close to
me. At least I was told so afterwards by an officer. But I was so
occupied with my work that I was quite unconscious of their proximity. I
began filming once more. The first lot of men, or rather the remainder
of them, had disappeared in the haze and smoke, punctured by bursting
shells. What was happening in the German lines I did not know. Other men
were coming up and going over the top. The German machine-gun fire was
not quite so deadly now, but our men suffered badly from shell-fire. On
several occasions I noticed men run and take temporary cover in the
shell-holes, but their ranks were being terribly thinned.
Still more went over, and still a stream of men were making for the mine
crater; they then disappeared in the smoke. The noise was terrific. It
was as if the earth were lifting bodily, and crashing against some
immovable object. The very heavens seemed to be falling. Thousands of
things were happening at the same moment. The mind could not begin to
grasp the barest margin of it.
The German shells were crashing all round me. Dirt was being flung in my
face, cutting it like whipcord. My only thought was whether any of it
had struck my lens and made it dirty, for this would have spoiled my
film. I gave a quick glance at it. It was quite all right.
Fearful fighting was taking place in the German trenches. The heavy
rattle of machine-guns, the terrible din of exploding bombs, could be
heard above the pandemonium. Our men had ceased to flow from our
trenches. I crept to the top of the parapet, and looked towards the left
of the village of Beaumont Hamel. Our guns were bursting on the other
side of the village, but I could distinguish nothing else as to how
things were going.
I asked an officer who was standing close by.
"God knows," he replied. "Everything over there is so mixed up. The
General said this was the hardest part of the line to get through, and
my word it seems like it, to look at our poor lads."
I could see them strewn all over the ground, swept down by the accursed
machine-gun fire.
A quick succession of shell-bursts attracted my attention. Back to my
camera position. Another lot of our men were going over the top. I began
exposing, keeping them in my camera view all the time, as they were
crossing, by revolving my tripod head.
Public-domain text, read in full here on John Shaqi.
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