How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
Up we went and bending low raced for the spot. On the way I passed
several dead bodies, all Bosche, and numbers of pieces blown to bits by
our shell fire. A whizz-bang came over whilst we were crossing. Down we
went into a shell-hole. Another, and another came over. Murderous little
brutes they were too. Seven of them. Then they ceased. We immediately
jumped up again and reached our objective. Then getting under cover of
some twisted ironwork, which once formed the roofing of the
emplacement, I took breath. "Anyway," I thought, "here I am."
In a few minutes I had a look round. What an excellent view of Pozières,
about eight hundred yards away on my left. On the right was
Contalmaison, which had only been taken a short time previously. The
Bosches were shelling the place pretty frequently. I set up the camera
and waited. Away on the opposite hill shells were falling thickly. I
started filming them and got some interesting bursts, both high
explosive and H.E. shrapnel.
Now for Pozières. The enemy must have been putting 9-inch and 12-inch
stuff in there, for they were sending up huge clouds of smoke and
débris. I secured some excellent scenes. First Pozières, then
Contalmaison. My camera was first on one then on the other. For a change
Bosche whizz-banged the battery. I could see now why he was so anxious
to crump it, for lying all around me in their carriers, were hundreds of
gas shells. I was in fact standing on them. They were all unused, and if
Fritz got a good one home, well good-bye to everything.
One time I thought I would seek the shelter of a dug-out, but the fire
swept away in the opposite direction. By careful manoeuvring I managed
to film the German guns there. Every one of the four was quite smashed
up. An excellent example of artillery fire, and by the date upon them
they were of the latest pattern.
In all there were three batteries in that small area, making twelve
guns. But out of the twelve sufficient parts were found intact to make
one good one, so that Fritz would get "some of his own" back in a way
that he least expected; for there were thousands of rounds of ammunition
found in the dug-outs beneath the gun pits.
How to get into Pozières was the next problem. I had, while filming,
been making mental notes as to the section which Fritz did not
"strafe," and that place, by all that's wonderful, was the actual thing
he was undoubtedly trying for--the road.
By hugging the bank-side, along which here and there I could spot a few
funk-holes, I managed to get into the chalk-pit. Here I filmed various
scenes, but Bosche, as usual, kept me on the jump with his shrapnel,
forcing me to take hurried shelter from time to time.
There is one thing I shall always thank Fritz for, and that is his
dug-outs. If he only knew how useful they had been to me on many
occasions I am sure he would feel flattered.
Public-domain text, read in full here on John Shaqi.
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