How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
The weather was very dull. It was causing me much concern, for to-day of
all days I wanted to obtain an excellent film.
The cars pulled up. We had about fifteen minutes to wait. I fixed up my
camera ready to film the meeting with General Sir Henry Rawlinson. While
waiting, the General came over to me and began chatting about my work.
"I hear," he said, "that you filmed the attack of the 29th Division at
Beaumont Hamel on the 1st July, and have been told of the excellence of
the result."
He seemed much impressed by what I told him of the possibilities of the
camera.
A patrol signalled the King's arrival. His car drew up; His Majesty
alighted and heartily greeted the General. I filmed the scenes as they
presented themselves.
All aboard once more--the King leading--we started on our journey for
the battlefield of Fricourt.
Having hung about until the last second turning the handle, it was a
rush for me to pack, and pick them up again. My car not being one of the
best, I had great difficulty in keeping up with the party.
The news of the King's arrival and journey to Fricourt seemed to have
spread well ahead, for everywhere numbers of troops were strewn along
the roadside, and even far behind as I was, I could hear the echoing
cheers which resounded over hills and valleys for miles around.
Finally the cars came to a halt at an appointed place near the ruins of
the village and once beautiful woods of Fricourt, well within range of
the enemies' guns.
The spot where the King alighted was known as the Citadel, a German
sandbag fortification of immense strength.
It was arranged in the form of a circle, with underground tunnels and
dug-outs of great depth. In various sections of the walls were
machine-gun emplacements, and the whole being on the top of the hill,
formed a most formidable obstacle to the advance of our troops. I may
add that the hill is now known as "King George's Hill."
The King and his party had already alighted when I arrived to set up my
camera, and hurrying forward was very difficult work, especially as I
had to negotiate twisted masses of enemy barbed wire entanglements. But
eventually, after much rushing, and being very nearly breathless, I got
ahead, and planted my machine on the parapet of an old German trench and
filmed the party as they passed. To keep ahead after filming each
incident was very hard work. It meant waiting here and there, jumping
trenches, scrambling through entanglements, stumbling into shell-holes,
and at times fairly hanging by my eyebrows to the edge of trenches,
balancing my camera in a way that one would have deemed almost
impossible. But I am gratified to think that I managed to keep up with
the King, and I succeeded in recording every incident of interest.
At a point on the hill-top the King halted, and General ---- described
the various movements and details of the attack and capture of the
village, the King taking a very keen interest in the whole procedure.
Public-domain text, read in full here on John Shaqi.
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