How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
Well, what I said I don't know, but I certainly swore, and this
evidently impressed the fellow so much that he removed the barrier and
allowed me to pass. I literally tumbled out of the old "bus," and
shouting to L---- to bring along my tripod, I rushed to where the boat
was lying against the quay.
All the French, British, and Belgian officials were lined up, and the
King was shaking hands as a parting adieu. Whether it was right or not I
did not stop to think. I swept by and rushed up the gangway as the King
turned with a final salute.
So close a shave was it that I barely had time to screw my camera on the
stand ere the Prince of Wales saluted the King and went ashore. The
gangway was drawn away and, amid salutes from the officers and allied
representatives, the boat left the quay. I had filmed it all. Not an
incident had passed me.
The King with the Admiral in charge of the ship, entered the cabin, and
only then did I have a moment's respite to realise what a narrow squeak
I had had.
We were just leaving the harbour. The sea looked very choppy, and just
ahead were seven torpedo boats waiting to escort us across.
I went up on to the top deck, and obtained some very interesting scenes
of these boats taking up their positions around. Then the King came up
and mounted the bridge. How happy he looked! A King in every sense of
the word. Who, if they could see him now, could ever have any doubts as
to the issue of the war? I filmed him as he stood on the bridge. In
mid-channel the sea was getting rather rough, and to keep my feet, and
at the same time prevent the camera from being bowled overboard, was
rather a task, and this compelled me at times to call in the help of
some blue-jackets standing near by.
At last the white cliffs of old England hove in sight, and to make my
film-story complete I filmed the cliffs, with Dover Castle perched high
above like the grim watch-dog it is.
And then, as the boat drew into the harbour, I got near the gangway in
order to land first and film His Majesty as he came ashore. I managed to
do this, and entering the royal special (by which I was permitted to
travel) I reached Victoria in due course with what, in my humble
judgment, was one of the finest kinematograph records that could
possibly be obtained of an altogether memorable and historic journey.
CHAPTER XXI
THE HUSH! HUSH!--A WEIRD AND FEARFUL CREATURE
Something in the Wind--An Urgent Message to Report at
Headquarters--And What Came Of It--I Hear for the First Time
of the "Hush! Hush!"--And Try to Discover What It Is--A
Wonderful Night Scene--Dawn Breaks and Reveals a Marvellous
Monster--What Is It?
I had been busy in London preparing the film of the King's visit to his
troops in France, when I received an urgent message to report
immediately at General Headquarters--most important. I reported to
Captain ----.
"Can you get away in the morning, Malins? The boat train leaves early."
Public-domain text, read in full here on John Shaqi.
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