How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
It was now midnight. My guide told me to follow him. "We'll go down
below and find a place in which to snatch a little sleep." Down a long
flight of stairs we went, along corridors, then down another flight and
round more corridors. The passages seemed endless, until at last we came
to a halt beside the bunk-like beds fastened on the wall.
"What an extraordinary place; how deep is it?"
"About sixty feet," said my companion. "The place is like a rabbit
warren."
"Well, I'm glad you are with me, for I should never find my way out
alone." And I rolled my blanket round me and went to sleep.
I was awakened by my guide. "Come on," he said; "time we moved off."
I quickly got out of my blanket. Jove, how cold it was! My teeth
chattered like castanets.
"It's like an ice-house down here; let's go out and see if any of the
men have any fire left. Might be able to have a little hot tea before we
go. I have some biscuits and odds and ends in my satchel."
"Will you let me have a man to help me with my tripod?"
"Certainly, as a matter of fact I arranged for one last night."
Up we went. Along the corridors men were lying about in their blankets,
fast asleep. Holding a piece of guttering candle in my hand, and shaking
like a leaf with cold, I stepped between the sleeping men; but it was
anything but an easy task.
During the journey I missed my companion. By a lucky accident I managed
to find an exit, but it was nowhere near the one I entered last night.
Ah, here's a fire, and quickly getting the water on the boil, made some
tea; then shouldering the camera, and ---- helping me, by taking one of
the cases, we started off.
It was still very dark, but the sky was quite free from clouds. If only
it would keep like that I might just get an exposure.
We proceeded as fast as the innumerable shell-holes and old barbed wire
would allow, and made straight for the ruins of ----, then crossing the
road we followed the communication trenches along the top.
It was still pitch dark. I looked at my watch. It was 4.30.
The trenches were full of life. Men were pouring in to take up their
positions. Bosche put a few shells over near by, but fortunately nobody
was touched. He was evidently nervous about something, for on several
occasions he sent up star-shells, in batches of six, which lighted up
the whole ridge like day, and until they were down again I stood stock
still.
[Illustration: OVER THE TOP AT MARTINPUICH, SEPT. 15, 1916. I
PHOTOGRAPHED THIS SCENE AT 5.20 IN THE MORNING]
[Illustration: TWO MINUTES TO ZERO HOUR AT MARTINPUICH, SEPT. 15, 1916,
THEN "OVER THE TOP"]
Day was breaking in the east. A low-lying mist hung over the village.
I hoped it would not affect my taking.
We were now in the trenches, and daylight was gradually beginning to
appear.
"It's got to light up a lot more if I'm going to be able to film," I
said. "But thank heaven the sky is cloudless. That's the one chance."
Public-domain text, read in full here on John Shaqi.
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