How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
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How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
Here I collected my apparatus and stood by for instructions. News of our
continued pressure on the German line of retreat was penetrating
through. First one village, then another fell into our hands. The fall
of Peronne was imminent. My instructions were to proceed to Peronne, or
rather the nearest point that it was possible to operate from.
I journeyed that night as far as Amiens, and arriving there about
midnight, dog tired, went to my previous billet in the Rue l'Amiral
Cambet, and turned in. Early next morning I reported to a major of the
Intelligence Department, who told me our troops had entered Peronne the
previous night. Rather disappointed that I had not been there to obtain
the entry, I made tracks for that town.
I took by-roads, thinking that they would be more negotiable than the
main ones, and, reaching the outskirts of the village of Biaches, I left
the car there and prepared to walk into Peronne. I could see in the
distance that the place was still burning; columns of smoke were pouring
upwards and splashing the sky with patches of villainous-looking black
clouds.
Strapping my camera upon my back, and bidding my man follow with my
tripod, I started off down the hill into Biaches. Then the signs of the
German retreat began to fully reveal themselves. The ground was
absolutely littered with the horrible wastage of war; roads were torn
open, leaving great yawning gaps that looked for all the world like
huge jagged wounds. On my right lay the Château of La Maisonnette. The
ground there was a shambles, for numerous bodies in various stages of
putrefaction lay about as they had fallen.
I left this section of blood-soaked earth, and, turning to my left,
entered the village, or rather the site of what had once been Biaches. I
will not attempt to describe it; my pen is not equal to the task of
conveying even the merest idea of the state of the place. It was as if a
human skeleton had been torn asunder, bone by bone, and then flung in
all directions. Then, look around and say--this was once a man. You
could say the same thing of Biaches--this was once a village. I stayed
awhile and filmed various scenes, including the huge engineers' dump
left by the Germans, but, as the light was getting rather bad, I hurried
as fast as possible in the direction of Peronne.
I wandered down the path of duck-boards, over the swamp of the Somme,
filthy in appearance, reeking in its stench, and littered with thousands
of empty bottles, that showed the character of the drunken orgies to
which the Huns had devoted themselves.
Public-domain text, read in full here on John Shaqi.
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