How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
Lieutenant B----, the official "still" photographer, and I have been
companions in a few strange enterprises in the war, but I doubt whether
any have equalled in strangeness, and I might say almost uncanny,
adventure that which I am about to record. In cold type it would be
pardonable for anyone to disbelieve some of the facts set forth, but, as
I have proved for myself the perfect application of the well-known
saying that "truth is stranger than fiction," I merely relate the facts
in simple language exactly as they happened, and leave them to speak for
themselves.
It was early morning on March 17th, 1917, when the Germans began their
headlong flight towards their Cambrai, St. Quentin, or "Hindenburg"
Line. When B---- and I hastened along the main St. Quentin Road, troops
and transports were as usual everywhere. We passed through the ruined
villages of Foscaucourt and Estrées and brought our car to a standstill
about two kilometres from the village of Villers-Carbonel, it being
impossible owing to the fearful road conditions to proceed further.
We left the car and started off to explore the unknown. On either side
of the road I noticed many troops in their trenches; they were looking
down at us as if we were something out of the ordinary, until I turned
to him and said:
"Is there anything funny about us? These chaps seem to be highly
interested in our appearance, or something. What is it?"
"I don't know," he said, "let's enquire."
So, going up to an R.A.M.C. officer, who was standing outside his
dug-out, I asked him if there was any news--in fact I enquired whether
there was a war on up there, everything seemed to be so absolutely
quiet.
"Well," he said, "there was up to about three hours ago; Bosche has
fairly plastered us with 5.9 and whizz-bangs. These suddenly ceased,
and, as a matter of fact, I began to wonder whether peace had been
declared when your car came bounding up the road. How the devil did you
manage it? Yesterday evening the act of putting one's head over the
parapet was enough to draw a few shells; but you come sailing up here in
a car."
"This is about the most charming joy-ride I have had for many a day," I
replied, "but let me introduce myself. I am Malins, the Official
Kinematographer, and my friend here is the Official 'still' picture man.
We are here to get scenes of the German retreat, but it seems to me that
one cannot see Bosche for dust. That is Villers-Carbonel, is it not?" I
said, pointing up the road in the distance.
"Yes," he replied.
"Right," I said, "we are going there and on our way back we'll tell you
all the news."
With a cheery wave of the hand he bade us adieu, and we started on our
journey.
Public-domain text, read in full here on John Shaqi.
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