How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
Making our way again to the main road I stood by some ruins and looked
away in the distance where the Germans had disappeared. What a
difference. Here were green fields, gorgeous woods, hills, and dales
with winding roads sweeping away out of sight. It reminded me of the
feeling Moses must have experienced when he looked upon the Promised
Land. Here were no shell-torn fields, no woods beaten out of all
semblance to anything, no earth upon which thousands of men had poured
out their blood; but, here in front of us, a veritable heaven.
"Come along," I said, "let's explore. If there are any Bosches about
they'll soon let us know of their presence. Let's get on to that other
ridge; the Somme river should be there somewhere."
We left the village and cautiously followed the road down one hill and
up the next. The Germans had disappeared as completely as if the earth
had swallowed them up. Not a soul was to be seen; we might have been
strolling on the Surrey hills!
I gradually reached the brow of the next ridge. The sight which met my
eyes was the most stimulating one I had ever seen from a picture point
of view. There, in front of us, at a distance of six hundred yards, was
the river Somme--the name which will go down to history as the most
momentous in this the bloodiest war the world has ever known.
There it glistened, winding its way north and south like a silver snake.
"Come along," I said, "I shall get the first picture of the Somme," and
we raced away down the road.
In calmer moments at home I have admitted that we were mad. Nobody in
their right senses would have done such a thing as to rush headlong into
country which might have been thick with enemy snipers and machine-guns.
But the quietness of the grave reigned--not a rifle-shot disturbed the
silence.
Evidence of the German retreat met our gaze as we ran down the road. On
either side were discarded material and, in a quarry on the left, a
German Red Cross sign was stuck up on a post, and several dug-outs were
burning--smoke was pouring up from below, showing that the Hun was
destroying everything.
I was brought to a standstill at the sight of a mass of wreckage near
the river. Smoke was issuing from it. I looked on my map and saw that it
was the village of Brie; a small section was this side of the river, but
the main part was on the other side. The whole place had been completely
destroyed, partly, I ultimately found out, by our gun-fire, and the
remainder burnt or blown up by the Germans.
The river had developed into a swampy marsh; in fact it was very
difficult to say precisely where the river and canal finished and the
marshes began.
I again got my camera into action and filmed, for the first time, the
Somme river which was directly in our line of advance.
Public-domain text, read in full here on John Shaqi.
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