How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
"Yes, as far as we know. Our patrols reported it clear late last
evening, but possibly Bosche returned during the night. We captured
three Bosches and they have an extraordinary tale of seeing two armoured
cars yesterday evening near Bovincourt, and they insist upon it although
I am quite aware there were none at all near there. They say that about
six o'clock they were on the outskirts of Bovincourt when two armoured
cars came in sight. Not having a machine-gun with them they decided to
hide and so took cover in the ruins of a house. Later on they say they
saw only one car leave in the direction of the main road. That's their
tale and they seem quite serious about it."
"Well," I said, with a grin, "do you think this car of mine would look
like an armoured car at a distance?"
"Well, yes, possibly, in a failing light. Why?"
"Well, this must be one of your excellent prisoner's so-called armoured
cars, because I was in Bovincourt with ---- of the Corps Intelligence,
hence the two cars. I missed him through getting stuck in the mud, and
entered Bovincourt about six o'clock and left by myself later as a
skirmish was taking place somewhere near by, and not being armed with
anything more dangerous than a camera, I decided to quit. I am much
obliged to the Bosche for taking this bus of mine for an armoured car."
With a laugh and a cheery adieu the officer bade me good luck and
pedalled off.
I could not help thinking that I had had a lucky escape.
On again, and reaching the first mine, the scene of the previous night's
adventure, I put the car to the field at a rush and by some
extraordinary means got her round.
I was just entering the village when, with a shriek and a crash, a shell
burst near the church. I stopped the car and, under cover of the ruins,
reached a distance of about three hundred yards from where it fell. If
any more were coming over I intended, if possible, to film them
bursting.
Carefully taking cover behind a wall, I fitted up my camera. Another
shell came hurtling over and dropped and burst quite near the previous
spot. Showers of bricks flew in all directions, liberally splattering
the wall behind which I was concealed. The débris cleared, up went my
camera, and, standing by the handle, I awaited the next.
Public-domain text, read in full here on John Shaqi.
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