How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
The thickness of the parapet, I should say, was roughly four feet; and
through the parapet was a conical, square-shaped, wooden cylinder. In
front, under cover of darkness, the night previous, I had had two
sandbags placed, so that when everything was ready, and my camera fixed,
a slight push from the back with a stick would shift them clear of the
opening. Fixing up the camera, I very carefully pinned an empty sandbag
over the back of the aperture, with the object of keeping any daylight
from streaming through. I placed a long stick ready to push the sandbags
down. I intended doing that after the first shell had fallen.
This particular loophole had been severely sniped all the morning, the
Germans evidently thinking it was a new Maxim-gun emplacement. Time was
drawing near. I thought I would try with the stick whether the sandbags
would fall easily. Evidently I gave them too vigorous a push, for the
next moment they came toppling down. Knowing such a movement as that was
certain to attract the German snipers' attention, I quickly ducked my
head down and hoped our 9.2's would soon open fire. I did not relish
the idea of having a bullet through my camera.
Sure enough the Germans had seen the movement, for bullets began
battering into sandbags around the loophole. At that moment the C.O.
withdrew the whole of the men from that section of the trench, and I was
left alone. But the prospect of getting a fine film drove all other
thoughts from my mind.
A few minutes later the first shell came hurtling over and exploded
within ten yards of the block-house. I started filming. Shell after
shell I recorded as it exploded, first on one side then on the other,
until at last the eighth shell fell directly on top of the block-house,
and with a tremendous explosion the whole fabric disappeared in a cloud
of smoke and flame. Débris of every description rattled in the trench
all round me, and continued to fall for some moments, but luckily I was
not hit. Being unable to resist the temptation of looking over the
parapet, I jumped up and gazed at the remains of the building which now
consisted of nothing more than a twisted, churned-up mass of concrete
and iron rails. Our artillery had done its work, and done it well.
CHAPTER VI
MY FIRST VISIT TO YPRES AND ARRAS
Greeted on Arrival in the Ruined City of Ypres by a Furious Fusillade--I
Film the Cloth Hall and Cathedral, and Have a Narrow Escape--A Once
Beautiful Town Now Little More Than a Heap of Ruins--Arras a City of the
Dead--Its Cathedral Destroyed--But Cross and Crucifixes Unharmed.
To Ypres! This was the order for the day. The news gave me a thrill of
excitement. The thunder of the big guns grew louder as we approached the
front line, until they seemed to merge into one continuous roar.
Stopping on the road, I asked if the Germans were "strafing" to-day.
Public-domain text, read in full here on John Shaqi.
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