How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
"Yes," said one of our military police, "they were shelling us pretty
heavily this morning: you will have to be very careful moving about
inside. Bosche machines are always up in the air, taking bearings for
the guns."
Arriving at the outskirts of the ruined town, we were pulled up by a
sentry, who, finding our papers in order, allowed us to proceed. At that
moment a furious fusillade of gun-fire attracted our attention, and
three shrill blasts of a whistle rang out; then we heard a cry,
"Everyone under cover!" Stopping the car, I immediately jumped out, and
stood under cover of a broken-down wall, and looking up, could see the
cause of this activity.
[Illustration: TAKING SCENES IN DEVASTATED YPRES, MAY, 1916]
High in the air, about eight to ten thousand feet, was a Bosche
aeroplane, and while I was watching it shrapnel shells from our
anti-aircraft guns were exploding round it like rain. A great number
were fired at it. The whole sky was flecked with white and black patches
of smoke, but not one hit was recorded. The machine seemed to sail
through that inferno as if nothing were happening, and at last it
disappeared in the haze over its own lines. Only then were we allowed to
proceed.
I had made a rough programme of what to film, and decided to start from
the Grand Place. In a few words, I may say that I filmed the Place from
the remains of the Cloth Hall, the Cathedral, and various districts of
the town, but to try and describe the awful condition of what was once
the most beautiful town in Belgium would be to attempt the impossible.
No pen, and no imagination, could do justice to it. The wildest dreams
of Dante could not conjure up such terrible, such awful scenes.
The immensity of the outrage gripped me perhaps more completely when I
stood upon the heap of rubble that was once the most beautiful piece of
architecture of its kind in all the world. The Cloth Hall, and the
Cathedral, looked exactly as if some mighty scythe had swept across the
ground, levelling everything in its path. The monster 15-inch German
shells had dismembered and torn open the buildings brick by brick.
Confusion and devastation reigned everywhere, no matter in what
direction you looked. It was as if the very heavens and the earth had
crashed together, crushing everything between them out of all semblance
to what it had been.
Public-domain text, read in full here on John Shaqi.
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