How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
The ground was literally pock-marked with enemy shell-holes. The stench
of decaying bodies followed me everywhere. At times the horror of it all
seemed to freeze the understanding, and it was difficult to realise that
one was part and parcel of this world of ours. Literally, horror was
piled upon horror. And this was the twentieth century of which men
boasted; this was civilisation! Built by men's hands, the result of
centuries of work. Now look at them; those beautiful architectural
monuments, destroyed, in a few months, by the vilest spawn that ever
contaminated the earth. A breed that should and would be blotted out of
existence as effectively as they had blotted out the town of Ypres.
Beneath one large building lay buried a number of our gallant soldiers,
who were sheltering there, wounded. The position was given away by
spies, with the result that the Germans poured a concentrated fire of
shells upon the helpless fellows, and the shelling was so terrific that
the whole building collapsed and buried every living soul beneath the
débris.
As I stood upon the heap tears came into my eyes, and the spirits of the
brave lads seemed to call out for vengeance. And even as I stood and
pondered, the big guns rang out, the very concussion shaking bricks and
dust upon me as I stood there. While filming the scene, German shells
came hurtling and shrieking overhead, exploding just behind me and
scattering the débris of the ruins high above and whizzing in my
direction.
To obtain a good view-point, I clambered upon a mount of bricks nearly
fifty feet high, all that was left of the Cathedral Tower. From that
eminence I could look right down into the interior, and I succeeded in
taking an excellent film of it. While doing so, two German shells
exploded a short distance away. Whether it was the concussion or pieces
of shell that struck it, I do not know--probably the latter--but large
pieces of stone and granite fell at my feet, and one piece hit my
shoulder. So I quickly made my way to more healthy quarters, and even as
I left the shells overhead began to shriek with redoubled fury, as if
the very legions of hell were moaning, aghast at the terrible crime
which the fiendish Huns had perpetrated.
Arras, although not by any means as badly damaged as Ypres, is one of
the most historical and beautiful places systematically destroyed by the
Germans. The Cathedral, the wonderful Museum, the Hôtel de Ville, once
the pride of this broken city, are now no more. Arras provides yet
another blasting monument of the unspeakable methods of warfare as
practised by the descendants of Attila, the Hun. The city was as silent
as the tomb when I visited it. It was dead in every sense of the word; a
place only fit for the inhabitants of the nether world. Only when the
German shells came screaming overhead with unearthly noise, in an empty
street, was the silence broken in this city of the dead.
Public-domain text, read in full here on John Shaqi.
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