How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
I nodded my head. He took his seat, and opened the throttle. The engine
leapt into new life. The roar was deafening. The whirring blades flung
the air back into my face, cutting it as if with a whip. He dropped his
arm. The men drew away the chocks from the wheels, and amid shouts of
"Good luck!" from the officers present, the machine sprang forward like
a greyhound, bounding over the grass, until at last it rose like a
gigantic bird into the air.
The earth gradually drew away. Higher and higher we rose, and began to
circle round and round to gain height.
"We will get up to three thousand feet before we strike towards the
coast," he shouted through the telephone.
The vibration, now we were in the air, was barely perceptible, at any
rate it was not sufficient to affect the taking of my scenes. In case
any moisture collected on my lens, I had brought a soft silk pad, to
wipe it with occasionally. Higher, still higher, we rose.
"What's the height now?" I asked.
"Very nearly three thousand feet," he said. "We are now going towards
the coast. That's Dunkirk over there."
I peered ahead. The port, with its shipping, was clearly discernible.
Over the sea hung a dense mist, looking for all the world like a
snowfield. Here and there, in clear patches, the sun gleamed upon the
water, throwing back its dazzling reflections.
As soon as we reached the coast-line, I shouted: "Proceed well along
this side, so that I can obtain an oblique view. It looks much better
than directly above the object. What's our speed?"
"Sixty miles," he said. "I shall keep it up until we reach the German
lines."
He turned sharp to the right. We are now following the coast-line
towards Ostend. How beautiful the sand dunes looked from above. The
heavy billows of sea-mist gave it a somewhat mystic appearance. How cold
it was. I huddled down close into my seat, my head only above the
fuselage. Keeping my eye upon the wonderful panorama unfolding itself
out beneath me, I glanced at my camera and tested the socket. Yes, it
was quite firm.
"We are nearing the lines now," my companion shouted. "Can you see them
on your right? That's the Belgium area. Our section, as you know, begins
just before Ypres. Will this height suit you? Shall I follow the
trenches directly overhead or a little to one side?"
"Keep this side, I'll begin taking now." Kneeling up in my seat, I
directed my camera downwards and started filming our lines and the
German position stretching away in the distance.
We were nearing Ypres, that shell-battered city of Flanders. White balls
of smoke here and there were bursting among the ruins, showing that the
Huns were still shelling it. What a frightful state the earth was in.
For miles and miles around it had the appearance of a sieve, with
hundreds of thousands of shell-holes, and like a beautiful green ribbon,
winding away as far as the eye could see, was that wonderful yet
terrible strip of ground between the lines, known as "No Man's Land."
Public-domain text, read in full here on John Shaqi.
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