How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.Malins, Geoffrey H.
History
How I Filmed the War: A Record of the Extraordinary Experiences of the Man Who Filmed the Great Somme Battles, etc.
Malins, Geoffrey H.
Malins, Geoffrey H.; Motion pictures; World War, 1914-1918 -- Personal narratives, British
Time was drawing near. I prepared my camera by clothing it in an old
piece of sacking, and gently raising it on to the tripod I screwed it
tight. Then gradually raising my head to the view-finder, I covered the
section which was going to be "strafed," and wrapping my hand in a khaki
handkerchief, waited.
Our guns were simply pouring shells on the Bosche. The first of the
15-inch came over and exploded with a deafening roar. The sight was
stupefying.
I began to expose my film, swinging the camera first on one side then
the other. Shell after shell came roaring over; one dropped on the
remaining walls of a château, and when the smoke had cleared there was
absolutely nothing left. How in the world anything could live in such a
maelstrom of explosive it is difficult to conceive.
I continued to expose my film at intervals until about 6 o'clock, and
twice I had to snatch my camera down hastily and take shelter, for the
"whizz-bangs" came smashing too close for safety.
I was just taking down my camera when several shells exploded in the
trenches about fifteen yards behind us. Then a man came running into our
traverse: "Shure, sor," he said, "and it's gas-shells the dirty swine
are sending over. My eyes seem to be burning out." His eyes were
undoubtedly bad. Tears were pouring down his cheeks, and he was trying
to ease the pain by binding his handkerchief over them. Then I smelt the
gas, and having had a previous dose at Vernilles, and not wishing for
further acquaintance with it, I bade my man rush as quickly as possible
back to "The White City."
I got back to H.Q. dug-out just in time for tea. I told the officers
present of my success in filming the "strafe," and I learned that it was
the first time Fritz had put tear-shells over them. "We must certainly
prepare our goggles," they said.
"Have you seen 'Jacob's Ladder'?" enquired one of the officers.
"No," I replied, "I shall wait until dusk. It will then be safer to move
about."
We sat smoking and talking about the prospects of the "Big Push," and at
last we all lapsed into silence, which was broken by the arrival of a
lieutenant. The Captain looked up from his bench. "Hullo, what's up? Any
news?"
"Oh, no; nothing much, sir," said he, "but H.Q. wishes me to go out for
a raid to-night. They want a Bosche to talk to; there are a few things
they want to know. We haven't brought one in for several nights now.
They asked me to go out again; I said, if there was one to be had my
Company would bring him along."
[Illustration: GEOFFREY H. MALINS, O.B.E., OFFICIAL KINEMATOGRAPHER TO
THE WAR OFFICE]
"Right-o!" said the Captain. "Who are you taking?"
"---- for one, and a few men--the same lot that have been across with me
before. H.Q. specially want to know the actual results of the heavy
'strafe.' They are going to cease fire to-night, between twelve and one.
I want to find out where their machine guns are fixed up----" And so the
conversation went on.
Public-domain text, read in full here on John Shaqi.
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