Brass choir, the, 156. Brescia, 150. Bridge, Dr., 41. Brissac, Marshal de, 290. Brittany, the Gregorian chant in, 9. Broadwood, John, 95, 97. Brockes, Barthold Heinrich, arranges the text of the Passion, 211. Bruges, 45. Brumel, Antoine, 39, 40; a motet by, 43. Bruneau, Alfred, operas of, 334; influence of Wagner upon, 334. Brussels, 233. Buononcini, Giovanni Maria, operas of, 271. Burger, the "Lenore" of, 180. Busseto, 281. Buus, Jacob, the "Ricercari da cantare e sonare," 103. Byrd, William, 80. C, the key of, 13. C, the scale of, 4. C major, the chord of, 13. C major, the scale of, 6. C major, Mozart's symphony in, 164, 166. C minor sonata, Mozart's, 141. _Cabaletta_, the, introduced by Rossini, 278. Caccini, Giulio, 236; his "Nuove Musiche," 241, 243, 244, 247, 251, 264. Cadenzas, 279, 326, 327. Cafarelli, the singer, 271. Caldara, Antonio, operas of, 271. Calzabigi, Raniero di, 314. Cambert, Robert, the composer, 295; his "Pastorale," 295, 296; his recitative, 296-300, 301, 303. Cambray, 10. "Camp in Silesia, The," Meyerbeer's, 324. Canon, the 'crab', 41. Canon, the fundamental principle of, 25, 26, 33, 36; extreme development of, 41, 75, 82. Canon, the inverted, 42. Canon by augmentation, the, 42. Canon by diminution, the, 42. Canon recte et retro. See _Canon, the_ "_crab_". Canonic art, 124. Canonic forms, 386, 387. Canonic writing, 41. Canons, "riddle," 42. "Cantata," meaning of, 103. Cantatas, church, 338. _Cantus firmus_, the, 7, 16, 17, 20, 217; See also _Chant, the fixed_. "Canzone," Gabrieli's, 104; Frescobaldi's, 104, 148. Capella, Bianca, 237. "Capriccio Chromatico," Frescobaldi's, 104. Carissimi, Giovanni, oratorios of, 204; characteristics of his work, 204, 213, 232, 264. "Carmen," Bizet's, 331. "Carnival," Schumann's, 180. Cassel, 225. "Castor et Pollox," Rameau's, 309. Cavaliere, the "Anima e Corpo" of, 148, 203, 236. "Cavalleria Rusticana," 287. Cavalli, Francesco, the "Giasone" of, 151; operas of, 263; his style, 263; his melodies, 263, 270, 306, 307. Cembalo, the, 188. Cersne, Eberhard, on the "Rules of the Minnesingers," 87, 90. Cesti, Antonio, develops choral part of the oratorio, 205, 264. Chanson, the, 58. Chant, the Ambrosian, 3, 4, 6, 11. Chant, the church, contrapuntal treatment, 43. Chant, the fixed, 7, 16, 17, 20, 23, 36. See also _Cantus firmus, the_. Chant, the Gregorian, 7; its division, 7; in Brittany, 9; general introduction of, 10, 11, 33, 58, 72, 75, 385. Chant, the liturgical, 217. Chant, the medieval, 2. Chant, the Roman, 9, 24. Chants, Indian, 182.