How music grew, from prehistoric times to the present dayPeyser, Ethel R. (Ethel Rose)
History
How music grew, from prehistoric times to the present day
Peyser, Ethel R. (Ethel Rose)
Music -- History and criticism; Musicians
But the greatest event of this time was Gutenberg’s invention of
printing (1455) which has spread learning over the face of the earth.
Soon people were able to get books cheaper than the hand written
scrolls. Until this great moment the monks had been writing by hand all
books and music scores. Only the great and wealthy owned them, and very
few could read or write, for what would be the sense of learning to read
if one had nothing to read? So the invention of printing awakened the
desire to know how to read books and to learn poetry, which sharpened
people’s minds and enlightened them. 12,000 volumes were printed from
1463 to 1471 where perhaps a hundred had been written before.
The first press (wooden type) was set up by Charles VII (1459) in the
Sorbonne in Paris, one of the greatest institutions of learning in the
world which still attracts students from all countries. The first music
was printed (1501 or 1502) by Ottaviano dei Petrucci in Venice, and were
three or four books of motets by Italian, French, Flemish and German
composers. Music was benefited by being printed clearly and many changes
were made to make it easier to read. Up to this time it was worse than
cross-word puzzles! It seemed to be the object of the composers before
the Renaissance to make music look just as difficult as it possibly
could, and there are many examples of enigmatical canons which were used
in the spirit of games and could be solved only by those having the key
to the puzzles.
But now the printers who were learned men in those days, simplified the
notation, and did away with many useless signs. People began to read it
more easily, and music became more popular. After Ottaviano died,
Antonio Gardane and his sons founded a publishing house in Venice, which
was most useful to composers. Then Paris and Antwerp began to have fine
printers, and in 1542 Ballard was made sole printer of music to the King
and nearly all the music through Louis XIV’s time (1638–1715) was
printed by his descendants. Late in the 17th century the measures were
separated by bars as they are today, and when metal was used for type
instead of wood, the old square note became oval like ours.
At the beginning of the Renaissance Church music was again mixed with
the most vulgar words from popular songs. “The bowsprit got mixed with
the rudder sometimes”—as in _The Hunting of the Snark_.
At this time the people were beginning to think and read for themselves,
and to question whether the Church had the right to dictate to and
control them as it had been doing. They thought, too, that many of the
church officers were not good enough, and by degrees the people
protesting, broke away from the Roman Church and formed others. Through
this protest the Protestant church won its name; this is known as the
Reformation. With the new church came the need for new services, new
music and new ways of singing.
MARTIN LUTHER, THE REFORMER
Public-domain text, read in full here on John Shaqi.
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