How music grew, from prehistoric times to the present dayPeyser, Ethel R. (Ethel Rose)
History
How music grew, from prehistoric times to the present day
Peyser, Ethel R. (Ethel Rose)
Music -- History and criticism; Musicians
A year after the Commonwealth was overthrown, Henry Lawes died and was
buried in Westminster Abbey, but the spot where his body lies is not
known.
From 1641 to 1660, music must have had a hard time for this was the
period of the Commonwealth, when the country was going through all the
horrors of civil war, and Cromwell’s soldiers destroyed many things of
great artistic value, that could never be replaced. Among them were the
works of art found in the wonderful old English cathedrals, including
organs and musical manuscripts. At Westminster Abbey, the Roundheads
(the name given to Oliver Cromwell’s soldiers) “brake down the organs
for pots of ale.”
Matthew Locke (1630?–1677) is looked upon as the “Father of English
Opera.” He wrote the music for _Psyche_ and _The Tempest_ (1673).
Another Shakespeare play to which Locke wrote the music was _Macbeth_.
CAPTAIN COOKE’S CHOIR BOYS
Immediately after the Restoration, the Chapel Royal Choir was
reorganized. For centuries it had been the great school of music for the
sons of both rich and poor, and had produced nearly all the English
musicians. Captain Henry Cooke, the first chapel master of the new
choir, seems to have picked out unusually gifted children, some of whom
wrote anthems while they were still in the Choir, and afterwards became
very famous composers, among them John Blow, Pelham Humphrey and the
great Henry Purcell. The Captain evidently knew how to train his boys!
Pelham Humphrey, having attracted the attention of the King, was sent to
Paris to study with the famous opera composer, Lully. The effect of this
study was felt in English music, as Humphrey was Purcell’s master at the
Chapel Royal, after the death of the good Captain Cooke, and he
introduced his new ideas to his talented little choir boys and musical
friends. Samuel Pepys says that the visit to Paris made a snob of
“little” Pelham Humphrey: “He is an absolute _Monsieur_, full of form
and confidence and vanity, and disparages everything and everybody’s
skill but his own. But to hear how he laughs at all the King’s Musick
here, ... that they cannot keep time nor tune nor understand anything.”
Dr. John Blow (1648–1708) composed Anthems while still a choir boy, and
at twenty-one was organist of Westminster Abbey. In 1674 he was Master
of the Children of the Chapel Royal, and became its organist as well,
without giving up his post at Westminster. During part of the time
Purcell was at Westminster, and Blow was Almoner and Master of the
choristers in St. Paul’s Cathedral. Think of filling three of the
greatest positions in musical London at the same time! He wrote an
Anthem, _I was Glad_, for the opening of St. Paul’s Cathedral in 1697.
He wrote many church compositions, masques, and pieces for harpsichord.
Public-domain text, read in full here on John Shaqi.
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