How music grew, from prehistoric times to the present dayPeyser, Ethel R. (Ethel Rose)
History
How music grew, from prehistoric times to the present day
Peyser, Ethel R. (Ethel Rose)
Music -- History and criticism; Musicians
Gabriel Fauré became the organist of Rennes and later went to Saint
Sulpice and Saint Honoré, and finally he became organist of the
Madeleine in 1896. These churches are among the greatest in France, and
to be organist in any one of them means that he is a great musician.
Fauré had honors showered upon him for he gave his country some of the
most brilliant works contributed by any of her sons. In France the
compositions of Gabriel Fauré are highly valued, but with the exception
of a few songs, are not known in America, the more the pity. Fauré is
better known here as the head of the Conservatory in which his life was
spent until his very recent death. He went there to share the classes in
composition, counterpoint and fugue with André Gédalge, succeeding Jules
Massenet, and in 1905 Fauré succeeded Theodore Dubois as Director of the
Conservatory. Still more honors heaped upon him made him a member of the
_Académie_, for which no one can be named until there is a vacancy. He
was therefore the successor to Ernest Reyer.
In 1910 the world was much stirred when Gabriel Fauré was made Commander
of the Legion of Honor, a distinction given only when a man has done
something very great.
In addition to these tributes to his standing in the community and his
achievements as an artist, he took numerous prizes for his compositions
of which there were three operas, much incidental music, symphonies, a
well known violin and piano sonata, some fine chamber music and much
music for the organ and for choruses. But beyond the appreciation always
shown Fauré for his larger works, he will always be loved in France
because he was regarded as the French Schubert, so lovely were his
melodies and so lavishly did he write.
He kept pure and true the ideals and characteristics of French music,
more so, indeed, than did many who may be better known to the
concert-goers of this country.
ENGLISH COMPOSERS IN CLASSICAL FORMS
While the Germans, French and Austrians were writing, England had
composers, who although not so famous, nevertheless kept music alive in
England.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account