How music grew, from prehistoric times to the present dayPeyser, Ethel R. (Ethel Rose)
History
How music grew, from prehistoric times to the present day
Peyser, Ethel R. (Ethel Rose)
Music -- History and criticism; Musicians
The lack of tradition, this unconscious knowing of the past, that Europe
has in abundance is often held up to us in America as a serious loss in
our art life. The question came to us: Is there nothing in our country
to make up for the absence of this historical and romantic background?
As in a motion picture, there passed before our minds the Grand Canyon
of Arizona, the Rocky Mountains, the snow-capped peaks of the Pacific
slope, the Columbia River, the Mississippi and the Hudson, Golden Gate
of California, Niagara Falls, and the Plains, lonesome stretches of sand
and sage-brush vast as the sea! Surely such wondrous beauty should
inspire artists to create great works.
But this is a day of cities, aeroplanes, automobiles, speed and unrest,
when the mind rules instead of the heart! And we must “watch our step”
or we will become the slaves of this Age of Invention instead of being
the masters. All this is reflected in our art life and we must guard our
creative talent if we would rank with European nations in the making of
music.
We already rank with them in performing it, and in organizations, such
as our orchestras, opera houses, chamber music organizations, music
schools, music settlements, music club activities, community singing,
glee clubs, oratorio societies, and amateur orchestras. America needs
music and loves it as never before. Perhaps out of all this music study
and concert-giving in addition to what might be done with the radio and
mechanical instruments, which are now making records of the world’s
finest compositions, there will come a race of real music lovers and
creators. They will study our national traits and will unite them with
the earnest work of American composers of today and yesterday; they will
open their minds to the natural beauties of nature; they will try to
raise the standard of the general public, and they will make music in
America grow. May every American reader take this to heart!
In our chapter on “National Portraits in Folk Music” we told you that we
have no definite traits in our music that could be called national
because this country was settled by people of many different
nationalities and races. All these peoples brought to the “Promised
Land” their customs and traditions, their song and story world. We can
still see traces in the present generation of the early settlers: New
England and the South are Anglo-Saxon; Louisiana and the northern
border, French; California, Spanish; New York and Pennsylvania, Dutch;
Minnesota, Scandinavian; Missouri and Wisconsin, German. Besides, the
Italians, Irish, Russians and Germans have settled in all parts of this
huge “melting pot”!
Public-domain text, read in full here on John Shaqi.
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