How music grew, from prehistoric times to the present dayPeyser, Ethel R. (Ethel Rose)
History
How music grew, from prehistoric times to the present day
Peyser, Ethel R. (Ethel Rose)
Music -- History and criticism; Musicians
They had no churches, but held religious services in the open under the
oak trees. They piled boulders on top of each other to form altars, or
built large circular enclosures of huge flat rocks, inside of which they
gathered for worship, or to assist at some ceremonial in which
sacrifices of animals and occasionally of human beings were made. These
human sacrifices occurred once a year at the Spring Festival which was
celebrated in much the same fashion as in Greece. These masses of stone
are found not only in the British Isles, the most famous of which is
Stonehenge (which was recently bought by an American), but there are
also many of these so-called _cromlechs_ and _menhirs_ in Brittany.
It is curious how often men and women do the same things at times and
places so completely separated that they could not have been influenced
by each other, but did what was natural for them. It seems that between
the state of being primitive or savage and of being cultured, mankind
must pass through certain states of mind and certain bodily actions
common to all men. In tracing the growth of any habits and actions of
people,—in government, religion, amusements, art, music, manners and
customs, and language, we find the same customs constantly repeated
among different races. If you remember this point, you will be
interested to watch, in this book, the difference between these
experiences common to all mankind and those which later on, were caused
by the influence that one race had on another through meeting, through
conquest and through neighborly contact.
The bards belonged to the priesthood and were Druids. They sang in verse
the brave deeds of their countrymen, praises of the gods and heroes, and
legends of war and adventure, accompanying themselves on primitive
harps, or on an instrument something like the violin without a neck,
called a _crwth_. They wore long robes and when they were acting as
priests, these were covered with white surplices somewhat like the gowns
of our own clergy. From a bit of information handed down by the bards,
we learn that in Ireland, the graduate bard wore six colors in his
robes, said to be the origin of the plaid of the Scotch Highlanders; the
king wore seven colors; lords and ladies, five; governors of fortresses,
four; officers and gentlemen, three; soldiers, two, and the people were
allowed to wear only one. Even their dress seemed important and marked
the rank!
There were three kinds of bards: priestly bards who took part in the
religious rituals and were also the historians, domestic bards who made
music in honor of their masters, and heraldic bards whose duties were to
arouse patriotism through songs in praise of their national heroes. They
had to pass examinations to become bards, and the lower ranks were
tested for knowledge and ability before being promoted to the higher
ranks. Recently there has been a revival in Wales of the _Eisteddfod_,
or song contests of the Druids.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account