How music grew, from prehistoric times to the present dayPeyser, Ethel R. (Ethel Rose)
History
How music grew, from prehistoric times to the present day
Peyser, Ethel R. (Ethel Rose)
Music -- History and criticism; Musicians
Prince Conrad, Konradin he was called, son of the last Swabian King, was
the last famous minnesinger. Everyone battled for other people’s
countries and lands then, and so Conrad, heir to the crown, joined a
Sicilian rebellion against France, and was killed by a troubadour, the
Duke of Anjou.
MASTERSINGERS
After poor Conrad’s time, the art of minnesinging declined, but as
people must have music, a new activity sprang up among the people or
“folk” instead of among the gentry and knights. The folk who took part
in this were called the Meistersingers or mastersingers and their story
is very thrilling and picturesque.
This was the day of the Robber Baron, when Germany was broken up into
little kingdoms and principalities. Any rich and powerful noble could
start a war to steal away the rights of another ruler, and become ruler
himself. This was no pleasant state of affairs for the people, for they
were in constant terror of death, of the destruction of their crops, or
new taxes. Life became so perilous that people left the farms and went
to the cities for protection. The feudal system began to fail, for the
people would no longer be slaves, and gradually took up trades and
formed themselves into guilds. The warring nobles had neglected music
for conquest, so these workers and artisans, hungry for it, formed music
guilds as well as trade guilds, drew up rules for making music and
poetry, and held prize competitions. In these music guilds there were
six grades of membership: first, member; second, scholar or apprentice;
then, friends of the school; singer, poet, and finally mastersinger or
_Meistersinger_. You can get a real picture of their day in the greatest
comic opera ever written, Wagner’s _Die Meistersinger_, and you can make
the acquaintance of Hans Sachs, the most famous Meistersinger
(1494–1576).
Heinrich von Meissen, known as _Frauenlob_ (Praise of Women), is said to
have founded the Meistersinger movement over a hundred years before Hans
Sachs’ time.
Til Eulenspiegel, whose merry pranks have been delightfully told in
music by Richard Strauss, a present day composer, was also a
Meistersinger.
The origin of the name “Meistersinger” is disputed. One historian tells
us that it was given to every minnesinger who was not a noble,—in other
words, a burgher-minstrel. The other historian claims that the title
_Meister_ or master was given to any one who excelled in any act or
trade, and afterwards came to mean all the guild members.
Public-domain text, read in full here on John Shaqi.
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