How music grew, from prehistoric times to the present dayPeyser, Ethel R. (Ethel Rose)
History
How music grew, from prehistoric times to the present day
Peyser, Ethel R. (Ethel Rose)
Music -- History and criticism; Musicians
Another instrument, a descendant of the Greek _psalterion_ and known to
have been in Russia since the 9th century, is the _gusslee_. It is
something like a zither, and is composed of a hollow box, strung with
any number from seven to thirteen up to twenty-four strings. It is held
on the lap, and the strings are plucked with the fingers.
There is also a sort of lute or _bandoura_ with many strings, dating
from the 16th century, played principally by the blind who belong to
groups of minstrels. There is also a wooden clarinet, on which one scale
can be played. Its special purpose was for use at funerals, and its
name, which comes from a word meaning tomb, is _jaleika_.
FINNISH SONGS
The Finns, a northern people, although often dominated either by Sweden
or Russia, have their own songs and peculiar rhythms. The _Kalevala_ is
their great epic poem, like the _Iliad_ of Greece, _Beowulf_ of the
Anglo-Saxons, and the _Eddas_ of Iceland. From this narrative poem or
epic, have come many a folk-tune. Besides, they sing of their beautiful
country, often called the country of lakes.
The typical rhythm of Finland is the ⁵⁄₄ time which sounds most
attractive. They have the _kantele_, a plucked string instrument, and
they glory in their folk music which they use as an everyday joy and do
not “turn it on” only for “hey-days and holidays.”
POLAND’S MUSIC
The Polish people have loved music as the Russians love it, and although
Poland has been reconquered, divided and redivided among the surrounding
kingdoms of Europe, it has always kept its own music. So we have another
set of Slav songs but with certain rhythmical differences, not found in
the music of other nations. (Chapter IX.)
There is an Oriental strain in this music, too, and it must be very
ancient indeed, for Oriental tribes have not lived in this country for
ages.
In addition to an instrument like the Russian _gusslee_, and a violin
like the Arabian _rebab_, the Polish have a clarinet made of wood,
called by its old name of _chalumeau_, the lute, and an instrument
called the _kobza_, belonging to the bagpipe family. This is of great
age, but is still in use among the mountaineers of Carpathia, and is
made of goat skin with three pipe attachments. The _kobza_ can replace
an entire orchestra!
GYPSIES
Gypsies! The name fires our imagination and brings up pictures of
dark-skinned, black-eyed people with glossy black hair, dressed in gay
colored shawls, with bright kerchiefs wound around their heads. We think
of them as being on “one grand picnic,” living out of doors, cooking
their meals over bonfires in the open, sleeping in their covered wagons
or tents, or under the stars, always gay, care-free and dirty! Then,
think of the Gypsy music,—the dances, the songs, and the wonderful
violin playing! So wild, so weird, so out-of-doors is it, that we are
thrilled by the very thought of it.
Public-domain text, read in full here on John Shaqi.
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