How music grew, from prehistoric times to the present dayPeyser, Ethel R. (Ethel Rose)
History
How music grew, from prehistoric times to the present day
Peyser, Ethel R. (Ethel Rose)
Music -- History and criticism; Musicians
The important thing is that this Magyar-Gypsy folk music has been the
inspiration of hundreds of trained composers, like Haydn (see the Gypsy
Rondo from his piano trio, also arranged for piano alone), Franz Liszt
who wrote many famous Hungarian Rhapsodies, Hector Berlioz who made the
Hungarian Rakoczy March famous, Johannes Brahms who used many folk songs
in his compositions and wrote a set of Hungarian Dances. Even Bach,
perhaps the greatest of all composers, seems to have been influenced by
the Gypsy music as played on the Hungarian _cembalo_.
No Hungarian Gypsy orchestra is complete without a cembalo, which looks
something like an old-fashioned square piano with the top off. This is
strung with metal strings covering a range of four octaves, and is
played with two small limber hammers. The cembalo players perform with
great rapidity and agility; they are able to play scales, arpeggios,
trills, and the tricks of Gypsy music with great skill and ease. It is
not known just when this instrument came into use, but it is a
descendant of the _dulcimer_ and _psaltery_, instruments we hear of in
the Bible, and in Arabia and Persia, probably brought into Europe during
the Crusades.
The _czardas_ (pronounced chardas) is an old Hungarian dance in which
are all the national characteristics of this folk music, well marked in
syncopated rhythms (rhythms out of focus, page 144, Chapter X), strong
accents, many ornaments. The Gypsies dance the czardas every time they
get a chance, for they love it. It has two contrasting parts, one is
called _lassan_ which is very slow and sad, and the other called
_friska_ which is very fast and fiery.
Panna Czinka, a Gypsy Queen, who lived in the 18th century was the
daughter of the chief of a band of Gypsies and she inherited his title
when she was very young. She married a ’cellist of her tribe and went
all through Hungary, Poland and Roumania playing on a wonderful Amati
violin, in a very wonderful way. She brought the _Rakoczy March_ to the
people, although it is not known whether or not she composed it. She
always wore men’s clothes of most picturesque type and when she died she
requested to have her beloved violin buried with her! Long after her
death she was still an inspiration to young Gypsy fiddlers, who all
longed to play as beautifully as Panna Czinka.
BOHEMIAN FOLK SONG
Bohemia is rich in folk dances, most of which are named for places where
they originated or the occasions for which they were used, or from songs
by which they are accompanied.
The Bohemians have a bagpipe called the _Dudelsack_ and the player is
called a _Dudelsackpfeiffer_!
SPANISH AND PORTUGUESE FOLK MUSIC
Public-domain text, read in full here on John Shaqi.
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