The crime that made McGloin famous was the cowardly murder of an unarmed saloonkeeper who came upon the gang while it was sacking his bar-room at the dead of night. McGloin might easily have fled, but disdained to "run for a Dutchman." His act was a fair measure of the standard of heroism set up by his class in its conflicts with society. The finish is worthy of the start. The first long step in crime taken by the half-grown boy, fired with ambition to earn a standing in his gang, is usually to rob a "lush," _i.e._, a drunken man who has strayed his way, likely enough is lying asleep in a hallway. He has served an apprenticeship on copper-bottom wash-boilers and like articles found lying around loose, and capable of being converted into cash enough to give the growler a trip or two; but his first venture at robbery moves him up into full fellowship at once. He is no longer a "kid," though his years may be few, but a tough with the rest. He may even in time--he is reasonably certain of it--get his name in the papers as a murderous scoundrel, and have his cup of glory filled to the brim. I came once upon a gang of such young rascals passing the growler after a successful raid of some sort, down at the West Thirty-seventh Street dock, and, having my camera along, offered to "take" them. They were not old and wary enough to be shy of the photographer, whose acquaintance they usually first make in handcuffs and the grip of a policeman; or their vanity overcame their caution. It is entirely in keeping with the tough's character that he should love of all things to pose before a photographer, and the ambition is usually the stronger the more repulsive the tough. These were of that sort, and accepted the offer with great readiness, dragging into their group a disreputable-looking sheep that roamed about with them (the slaughter-houses were close at hand) as one of the band. The homeliest ruffian of the lot, who insisted on being taken with the growler to his "mug," took the opportunity to pour what was left in it down his throat and this caused a brief unpleasantness, but otherwise the performance was a success. While I was getting the camera ready, I threw out a vague suggestion of cigarette-pictures, and it took root at once. Nothing would do then but that I must take the boldest spirits of the company "in character." One of them tumbled over against a shed, as if asleep, while two of the others bent over him, searching his pockets with a deftness that was highly suggestive. This, they explained for my benefit, was to show how they "did the trick." The rest of the band were so impressed with the importance of this exhibition that they insisted on crowding into the picture by climbing upon the shed, sitting on the roof with their feet dangling over the edge, and disposing themselves in every imaginable manner within view, as they thought. Lest any reader be led into the error of supposing them to