How the Poor Live; and, Horrible London: 1889Sims, George R. (George Robert)
History
How the Poor Live; and, Horrible London: 1889
Sims, George R. (George Robert)
Poor -- England -- London -- History -- 19th century; Public housing -- England -- London
This, however, is hardly the class of amusement with which we are
concerned, which is more that which engages the attention of the poorer
toilers after work-hours. Saturday night is the great night in these
districts for the play which prevents Jack being dull, and accordingly
it is a Saturday night we select to take a trip once more through the
streets of the unfashionable quarters.
We choose the heart of a thickly-populated district, and emerge from
comparative quiet into a Babel of sound. A sharp turn brings us from a
side-street into one long thoroughfare ablaze with light, and as busy as
a fair. It is a fair, in fact; the pavement and the roadway are crowded
with a seething mass of human beings side by side with the meat-stalls,
the fish-stalls, the fruit and vegetable stalls, and the cheap-finery
stalls; there are shooting-galleries, try-your-strength-machines,
weighing-chairs, raffling-boards, and nothing is lacking but 'three
shies a penny' and a Richardson's show to make a complete picture of an
old-fashioned fair.
All the world and his wife are out to-night, and the wildest
extravagances are being committed in the way of fish for supper to-night
and vegetables for dinner to-morrow. The good housewives, basket on arm,
are giving the ready-witted hawker as much repartee over the price of a
cabbage as would suffice for a modern comedy.
The workman, released from his toil, is smoking his pipe and listening
open-mouthed to the benevolent and leather-lunged gentlemen who are
sacrificing household utensils, boots, ornaments, concertinas, and
cutlery, at prices which would have cajoled the money from the pocket of
a Daniel Dancer. And the golden youth of the neighbourhood, with their
best attire on, all cut after one relentless fashion--the mashers of the
East--they, too, are out in full force, entering into the wild delirium
of reckless pleasure which the scene invites.
The principal amusement in the street, apart from buying knives and
neckties of the Cheap Jack and entering into a raffle for a concertina,
which is the sole business of one densely-crowded stall, seems to be
shooting at a target--three shots a penny--and the prize for hitting
the bull's-eye a real Whitechapel cigar. This seems to be an intensely
popular pastime with the boys, and the one who wins a cigar and turns
away and proudly lights it is at once surrounded by a crowd of lads,
who praise his skill, and plead for a puff at the luxury which his
marksmanship has won for him.
Public-domain text, read in full here on John Shaqi.
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