How the Poor Live; and, Horrible London: 1889Sims, George R. (George Robert)
History
How the Poor Live; and, Horrible London: 1889
Sims, George R. (George Robert)
Poor -- England -- London -- History -- 19th century; Public housing -- England -- London
The public-houses are crammed all along the line. This form of
'amusement' seems to be the favourite one with families, for in house
after house there are little groups comprising a gray-headed old lady
with a glass of neat gin, a buxom young woman with a baby and ditto, and
a burly young fellow with a big pewter. On barrels against the wall,
and on forms set around, these groups of young men and young women are
talking more or less loudly, and spending an idle hour in putting the
bulk of the week's wages down their throats. It is a truism to say that
the curse of the lower orders is drink, but no man with eyes can walk
on a Saturday night through the homes of the wage-earning class without
feeling how terrible the evil is, and how earnestly, without being
either a bigot or a fanatic, every man who has a chance should raise his
voice at the criminal neglect which flings these poor people into the
arms of their only caterer--the publican.
Many people object to the music-halls as sinks of iniquity. That
they are unmixed blessings I am not going to contend, but if properly
conducted they do an immense deal of comparative good. Drink is sold
certainly in some of them, but few people get drunk. A very little
liquor goes a long way at a hall, and the people, being amused and
interested in the entertainment, do not want much liquid sustenance. The
entertainments at some of the lower halls might, it is true, be weeded
of certain suggestive songs; but, after all, the best patrons of
indecency are the rich, and the poor give their loudest applause to
skilful dancing and sentimental singing. A good ballad, well sung,
'fetches' the masses as nothing else will, and they can appreciate good
music. If the managers of halls would do away with the coarser items in
their programmes, I should say that this form of entertaining the masses
was absolutely calculated to benefit them. I am quite certain that to
keep young men and women off the streets and away from bars is no
bad service to the cause of morality. In the East of London there are
several places where a big entertainment is given and no liquor is sold
at all. At one of them--the best of its kind in London--there are
two houses nightly. From seven till nine dramas are performed, then
everybody is turned out and the house is refilled with a fresh audience
for a music-hall entertainment--and nearly every evening the theatre is
crammed to suffocation; the admission is 1d. the gallery, 2d. the pit,
and 3d. and 6d. the upper circle and boxes. On the night of our visit
there wasn't room to cram another boy in the place; the gallery and pit
were full of boys and girls of from eight to fifteen, I should say, and
the bulk of the audience in the other parts were quite young people.
Public-domain text, read in full here on John Shaqi.
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