In modelling any object the same process, of viewing the model from all points, must be gone through with. Do not strive to obtain a likeness at first, but be careful to have all of your outlines correct, and the likeness will come of itself. =How to Model in Wax.= Modelling-wax prepared at home is much better than any that can be purchased. The following recipe is a very good one: =Modelling-wax.= 1 pound pure yellow beeswax. ½ pound corn-starch. 4 ounces Venice turpentine. 1½ ounce Venetian red powder. ½ ounce sweet-oil. Put the wax on the stove in a saucepan and let it melt; _take off_ and pour in the turpentine. Never attempt to add this while the wax is near the fire, as it is extremely dangerous. It is a good idea, when buying the ingredients, to have the oil and turpentine put in the same bottle (which should have a wide neck), then they can be poured into the wax at the same time. Warm the bottle of oil and turpentine in hot water to soften before mixing with the wax. Keep stirring all the time. Pour in the corn-starch and Venetian red. When the corn-starch is dissolved the wax is ready for use. [Illustration: Bas-relief Figure in Wax.] Modelling-wax is much more expensive than clay; it is used principally for small objects and those that require fine workmanship. It is quite useful for sketchy work, as it may be carried about almost like a sketchbook, and being so much cleaner than clay, it can be used even in the parlor without damage to table or carpet. With the wax on a small board one can sit at a table and work very comfortably. The tools for clay modelling may also be used for wax; probably the smallest will be most useful. [Illustration: Bas-relief Head in Wax.] As cold weather advances, we like to pass the evenings in some agreeable occupation, that may be carried on without disturbing the family group around the fireside. For such occasions, modelling in wax will make a pleasant pastime. Sitting quietly, taking part in the general conversation, or listening while someone reads aloud, one may model the wax into many pretty forms to be preserved afterward in plaster, or, obtaining a profile view, a likeness of one of the group may be done in bas-relief. If a slate is used to work on, it will make a good foundation, and the head can first be drawn on it in outline and the wax built over it, using the drawing as a guide. The slate is smooth and firm, and it is a good idea to use it as a foundation for all wax bas-relief, especially when plaster casts are to be taken from the modelling, for in that case the panel forming the background must be perfectly even. [Illustration] [Illustration: Making Plaster Casts.] CHAPTER XXV. HOW TO MAKE PLASTER CASTS.