How to amuse yourself and others : $b the American girl's handy bookBeard, Lina
General
How to amuse yourself and others : $b the American girl's handy book
Beard, Lina
Amusements -- Juvenile literature; Handicraft -- Juvenile literature
The two beef-bladders used for such a telephone must first be blown up,
tied, and left about thirty hours, or until they are stretched, but not
dried. When in proper condition, cut off the necks and portion of the
ends, then soak them in warm water, and they will become very pliable
and light in color. Having previously prepared two square pieces of
board by very carefully cutting out a perfect circle in the centre of
each, about as large as a medium-sized pie-pan or a tea-plate, place
the bladders smoothly but not tightly over the openings, allowing the
outside of the bladder to come on the bottom, and fasten it all around
the circle, a little distance from the edge, with tacks so driven in
that they may be easily removed.
Try the drums with your finger; if they stretch evenly they are
correct, if they wrinkle, change them until they stretch perfectly
smooth. Then tack a piece of firm tape securely around the edge of
the circle, and cut off the bladder reaching beyond the tape. Next
fasten four feet of soft, flexible wire to a large-sized gutta-percha
button by threading it through the two opposite holes in the centre of
the button; pass the other end of the wire through the middle of the
bladder, bringing the button flat against its surface.
After attaching a weight of about seven pounds to the end of the wire,
place the drum in the sun until perfectly dry. Proceed with the other
in the same manner, and when both are well dried, fasten one on each
end of the line and attach the drum-wires to the principal wire by
loops; then stretch it firm and tight. This telephone will also need
loops for supports, which should be of wire. When the instrument is
carefully and properly made it will carry the voice three or four miles
or more, giving every word and tone distinctly and clearly.
[Illustration]
CHAPTER XXI.
HOW TO DRAW.[E]
WOULD you like to learn to draw, to sketch from nature? Don’t you think
that it would be delightful to be able to take out your pencils and
paper and copy some scene you want to remember, or produce a likeness
of any bird or animal which strikes your fancy?
Many will say, “I’d like it very well, but I _can’t_ draw.”
You can write, can hold a pencil, and trace lines upon the paper;
and if you can do this, you can draw a little. A girl who can learn
anything can learn to draw if she will give the same attention to it
that she gives to other things.
[Illustration: _Fig. 140_]
Now we are not going to talk about copying pictures which someone
else has already drawn, for there is not much satisfaction in making
imitations of other people’s work; it is much more gratifying to make
the original drawings ourselves; but to do this we need some direction.
The reason it is easier to copy a picture than to draw the real object
is because the lines to be copied are all laid out on the flat surface
of the picture; but to draw the object we must find out where to trace
the lines for ourselves.
[Illustration: _Fig. 141_]
Public-domain text, read in full here on John Shaqi.
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