It is a great gain for a young couple to be compelled to economize, for, rich as they may become afterwards, habits of thrift never quite leave them. Their furniture may be scanty and some of it not very new, but common things can be prettily covered, and the dullest of rooms is set off by the knick-knacks that came in so plentifully among the bridal spoils. Besides, if they start with everything they want, there is nothing to wish for, and no pleasure in adding to their possessions. George Eliot has a subtle remark about the "best society, where no one makes an invidious display of anything in particular, and the advantages of the world are taken with that high-bred depreciation which follows from being accustomed to them." No doubt there will be pictures and photographs, the hanging of which occasions considerable discussion, and perhaps involves the first serious divergence of opinion. We must remember, however, that it is much better to have no pictures than bad ones, and that photographs of scenery are rarely decorative. As regards one's relations when they are really decorative, even Mr. Oscar Wilde can see no reason why their photographs should not be hung on the walls, though he hopes that, if called on to make a stand between the principles of domestic affection and decorative art, the latter may have the first place. It is a safe rule to have nothing in our houses that we do not know to be useful or think to be beautiful. We should show our love of art and beauty in our surroundings, and bring it to bear in the selection of the smallest household trifle. To have things tasteful and pretty costs no more than to have them ugly; but it costs a great deal more trouble. Simplicity, appropriateness, harmony of colour--these produce the best results. When we enter a room, the first feeling ought to be, "How comfortable!" and the second, as we glance quickly round to discover _why_, ought to be, "How beautiful!" Not a touch too much nor too little. The art is to conceal art. Directly affectation enters, beauty goes out. But while there should be nothing bizarre in our method of furnishing, rooms should reflect the individuality of their owners. They should never look as if they were furnished by contract. People should allow their own taste to have its way. Whatever we have, let it not be flimsy, but good of its kind. Good things are cheapest in the end, and it is economy to employ good dependable tradespeople.