In the finer arts, for whom are heads and hands employed? The study of the ruins of all old countries tells the antiquary of the lives of the rich alone. There are churches which record the living piety or the dying penitence of the rich; priories and convents which speak of monkish idleness, and the gross luxuries which have cloaked themselves in asceticism; there are palaces of kings, castles of nobles, and villas of opulent commoners; but nowhere, except in countries recently desolated by war, are the relics of the abodes of the poor the study of the traveller. If he now finds skill bestowed on the buildings which are the exclusive resort of the labouring classes, and taste employed in their embellishment, it is clear that the order is rising. The record of each upward heave will remain for the observation of the future traveller, in the buildings to which they resort;--a record as indisputable as a mountain fissure presents to the geologist. Time was when the dwellings of the opulent were ornamented with costly and beautiful works of art, while the eye of the peasant and the artisan found no other beauty to rest on than the face of his beloved, and the forms of his children. At this day, there are countries in Europe where the working man aspires to nothing more than to stick up an image of the Virgin, gay with coloured paper, in a corner of his dwelling. But there are other lands where a higher taste for beauty is gratified. There are good prints provided cheap, to hang in the place of the ancient sampler or daub. Casts from all the finest works of the statuary, ancient and modern, are hawked about the streets, and may be seen in the windows where green parrots and brown cats in plaster used to annoy the eye. In societies where the working class is thus worked for, in the gratification of its finer tastes, the class must be rising. It is rising into the region of intellectual luxury, and must have been borne up thither by the expansion of the fraternal spirit. * * * * *