How to See the British Museum in Four VisitsJerrold, Blanchard
History
How to See the British Museum in Four Visits
Jerrold, Blanchard
British Museum
sphinxes, and other groups. The head of Polyphemus appears prominently
in the 96th case; and in the remaining cases miscellaneously grouped,
are ancient dice, some of which have been loaded, suggesting the
antiquity of roguery; ivory hair pins; bronze needles; glass beads;
fragments of cornelian and other cups, and glass; bronze figures of
animals; inlaid and enamel work; styli for writing upon wax; ancient
medical instruments; and old Roman finger-rings.
Over the Egyptian cases are deposited fac-similes of paintings of a
tomb at Vulci, discovered in the year 1832. These represent various
ancient games of racing and leaping. Over the cases 38-58 are other
fac-similes from a tomb, also at Vulci, in a mutilated condition; and
against the southern wall are the ceilings of the tomb. Having
examined these things the visitor should proceed on his southward
course, and, passing through the southern entrance of the bronze room,
enter the fine apartment, known as the Etruscan room, in which the
ETRUSCAN VASES
are arranged. These are a series of earthen vases discovered in Italy.
These painted vases are the spoil from the tombs of the ancient
Etruscans. The Etruscans inhabited the northern parts of Italy, and
flourished there in a state of comparative civilisation, when the rest
of the Peninsula, save where the Greeks were busy on its southern
shore, was in a barbarous state. The Etruscan tombs present various
degrees of ornament according to the wealth of their occupant, but in
all of them painted vases of some description are found. It is
maintained by many learned men that these beautiful vases were not a
native manufacture, but were bought by the Etruscans of the Greeks of
Southern Italy, who imported them from the famous potteries of Athens.
The Greek inscriptions on some of these vases, and the Greek subjects
from which the decorations are taken, tend strongly to confirm this
hypothesis. It is, however, altogether a mystery why the Etruscans
surrounded their dead with these vases. They were not used to hold
human bones, nor to contain food for the deceased; but that the
Etruscans held them in high estimation as sepulchral ornaments is
certain from the fact that they are found universally in their tombs,
the finer and more elaborate in the sepulchres of the rich, and the
coarser and plainer kinds in the graves of the poor. The visitor will
do well to walk carefully round this room in which the Etruscan vases
belonging to the Museum are deposited. They are arranged in the
supposed chronological order in which they were manufactured; the
clumsy and coarse ware being placed in the first case, as exhibiting
the dawn of the potter's art, and the more elaborate and
highly-wrought specimens being arranged in regular order of
improvement in the succeeding cases.
Public-domain text, read in full here on John Shaqi.
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