The names of several royal ladies have been deciphered from the inscriptions, which are the addresses of deities. The black granite chest of a sarcophagus, numbered 23, is that of a royal scribe named Hapimen. Here the well-known figures of the Amenti, the embalmer Anubis, and other deities and symbols, will remind the visitor of the Egyptian room up stairs, with its strange green little images of figures half human and half bestial. Round the interior are the deities to whom the various parts of the human body were severally dedicated. Since this massive granite was the coffin of Hapimen, it has been known to the Turks as the "Lover's Fountain," and used by them as a cistern. The Syenite sarcophagus of a standard-bearer, is marked 18. The chest of a royal sarcophagus that was taken from the mosque of St. Athanasius at Alexandria, and which contained the mummy of a king of the twenty-eighth dynasty, is marked number 10. On the exterior, the Sun is represented, attended by appropriate deities travelling through the hours of the day; and on the interior the visitor will recognise the quaint symbolic forms of the usual sepulchral gods and goddesses. The two remaining sarcophagi are those of a scribe and priest of the acropolis of Memphis, and a bard. That of the former, marked 3, is covered with the figures of Egyptian divinities and inscriptions to the deceased; that of the latter, in arragonite, is in the form of a mummy, like those first examined by the visitor. This coffin has five distinct lines of hieroglyphics engraved down the front, expressing a chapter of the funeral ritual: and the face bears evidence of having been gilt. Having sufficiently examined these massive coffins, upon which the proudest undertaker of modern times must look humbly, and deplore the decline of his business as an art, the visitor should at once turn to other specimens of the sepulchral art of the ancient Egyptians. Of these, the most interesting are the sepulchral tablets, which are literally ANCIENT EGYPTIAN TOMBSTONES.