How to Study ArchitectureCaffin, Charles H. (Charles Henry)
History
How to Study Architecture
Caffin, Charles H. (Charles Henry)
Architecture -- History
The result of these conditions was to quicken the growth of local
feeling. Patriotism was replaced by intense civic pride, which centred
in the city or commune and made it vie with others in self-development.
And this self-centering resulted, firstly, in each nucleus of energy
developing an independent type of community and, secondly, in bringing
to the surface the personal force of individual citizens. The Duke who
had been elevated to or usurped the headship of the community, was
compelled to maintain his position by force of character and by acts
that would redound to the pride and power of the community. He needed
the assistance of other men of parts and employed their services, no
matter from what class of the community they had sprung. There was room
higher up for every citizen who could contribute something to the
community’s power and dignity. As one result of these conditions there
sprang into existence a class of professional soldiers, or condottieri,
who sold their services and those of their trained bands to the highest
bidder, and who, when occasion offered, lifted themselves, as in the
case of Colleoni and Gattamelata, to high military commands. Moreover,
the perpetual intriguing that the conditions of politics had developed
between cities and rival authorities, encouraged the employment of a
large body of secretaries and diplomatic go-betweens, men of education
and superior sharpness of wit. In fact, any one who by his brains or his
handiwork could furnish eminent service to the community was eagerly
sought after and promoted. Such men were held in high esteem and
regarded as an honour to the community.
In an environment such as this it followed that the Italian Rinascimento
was the product of men of powerful individuality and that the trend of
it led to the exaltation of individualism. The first great personality
associated with it is that of Petrarch.
Son of a man who had shared Dante’s exile, he himself emulated the poet
of Beatrice in _canzoniere_, composed to his ideal mistress, Laura. He
too helped to refine and vivify, as Boccaccio did a little later, the
Italian tongue; but he was filled with the pride of being a descendant
of the Roman People, and looked back to Latin literature as the
worthiest object of his study. In his zeal for collecting and collating
manuscripts and through the richness of his imagination and critical
judgment, joined to a tireless devotion, he became the pioneer in that
Italian scholarship which restored to Western Europe the knowledge of
the Classics and laid the foundation of modern thought.
Public-domain text, read in full here on John Shaqi.
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