How to Study ArchitectureCaffin, Charles H. (Charles Henry)
History
How to Study Architecture
Caffin, Charles H. (Charles Henry)
Architecture -- History
The result is a modification of the Palazzo Vecchio design by the
introduction of classic details. A classic cornice replaces the
machicolated; round arches supplant the pointed arches, the windows of
the upper stories, in place of trefoils, have round-top lights,
separated by a circular column. They are technically known as of the
_arcade_ type, while the windows of the ground floor are changed to
rectangular shapes and are of the _architrave_ type, that is to say set
in moulded frames, which are supported on consoles and surmounted by
classic pediments. Moreover in all these details, attention has been
paid to refinements of modelling; there is a choicer feeling of
proportion in the adjustment of the openings to the solid wall spaces
while the divisions of the stories have been distinguished by projecting
string courses and in such a way as to mark the importance of the second
story or _piano nobile_. A superior refinement and logic of arrangement
have regulated the whole design. The building, in fact, reflects the
changed social conditions and the new mental and æsthetic attitude
toward life produced by the study of classic literature and works of
art.
=Ca d’Oro--Vendramini.=--Now if we shift our glance to Venice and compare
the façades of the =Ca d’Oro= and =Vendramini Palaces=, we discover a great
difference between them and the Florentine examples. The Ca d’Oro was
erected by the Brothers Buon in the fifteenth century, a reminder of how
late the Gothic style was continued in Venice. The Vendramini, Pietro
Lombardo’s great achievement in domestic architecture, was completed in
1481. What a contrast both present to the Riccardi! It is an expression
of different habits of life. There is in both Venetian buildings the
suggestion of greater social security and a freer intercourse with the
outside world and less obstructed enjoyment of out of doors. The ample
windows of the Vendramini spread a welcome broadcast. And while the
arcaded loggia which distinguished the Ca d’Oro have been replaced in
the Vendramini by a balcony in the principal story and have disappeared
above, the change means a brighter lighting of the interior.
Public-domain text, read in full here on John Shaqi.
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