How to Study ArchitectureCaffin, Charles H. (Charles Henry)
History
How to Study Architecture
Caffin, Charles H. (Charles Henry)
Architecture -- History
=Roofs.=--Many Gothic features were preserved. Oriel and bay windows were
frequent, and the windows retain their mullions and transoms, and
increase in size, being often carried up through several stories. Square
or octagonal towers abound, occasionally battlemented but generally
finishing in a parapet or cresting, the roof being concealed or rising
in a low cone or pyramid. Similarly, the main roofs vary; high, flat,
and low ones even occurring in the same design. They are covered with
lead or tiles, and surrounded by balustrades, formed of battlements,
successive arches, or pierced ornament. Gables are edged with
scroll-work, while dormer-gables, as in the Netherlands and Germany, are
stepped or carried up with variously curved outlines. The chimneys,
single or grouped in stacks, continue to be a prominent feature, their
decoration, occasionally, as at Kirby and Hatfield, involving a use of
orders.
=Use of Orders.=--The orders when applied to the façade, are treated with
little regard to purity of style and are often disfigured with strap
ornament. When used in interior decoration, the pilasters frequently
diminish in width toward the base, or swell out in bulbous curves; there
being little or no limit to the extravagance of form that columns and
pilasters alike assume in chimneypieces and furniture. Indeed, during
the Jacobean period the grotesqueness of ornament notably increased,
accompanied by a corresponding coarseness in the modelling. Moreover,
this characteristic invaded the gardens, where trees and hedges were
trimmed or “pleached” into the shape of birds, or beasts, or fantastic
designs.
However, although the mansions of the Elizabethan and Jacobean periods
will not stand scrutiny on the score of architectural propriety, they
have besides their picturesqueness a quality that is aptly characterised
in Cowper’s phrase, “the stately homes of England.” They possess dignity
and, above all, are homelike. They bear the stamp, not of the
professional architect, but of the variegated family life that they have
fostered for successive generations.
Public-domain text, read in full here on John Shaqi.
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