How to Study ArchitectureCaffin, Charles H. (Charles Henry)
History
How to Study Architecture
Caffin, Charles H. (Charles Henry)
Architecture -- History
Street was a pupil of Sir Gilbert Scott (1810-1877), under whose
influence the Gothic revival reached its full flood. He, too was an
archæological enthusiast, with a preference for the Early Decorated
style, and his numerous churches are frankly reproductions, as near as
possible, of Mediæval architecture.
On the other hand, a freer adaptation of the Gothic to modern needs and
feeling appears in William Butterfield (1814-1900); for example, in the
design of =Keble College, Oxford=, =All Saints, Margaret Street, London=,
and his little church at Babbacombe in Devonshire. Other independent
Gothicists were J. L. Pearson, architect of =Truro Cathedral= and eight
London churches; James Brooks, who successfully employed brick in
ecclesiastical design, and Alfred Waterhouse. The last has proved
himself a master of plan in adapting the Gothic to secular buildings,
two of his most important designs being the =Law Courts= and =Town Hall=,
=Manchester=.
FRANCE
A characteristically French independence distinguishes the few churches
in which the influence of the Gothic revival may be traced. The most
essentially Gothic church of the period is =S. Clotilde, Paris=, designed
by Theodore Ballin, who, however, in his later work, =La Trinité=,
exhibits a remarkably interesting blend of Renaissance details with
Gothic feeling. But the tendency in French ecclesiastical architecture
was rather toward Byzantine, a movement which culminated in the great
church of =Sacré Cœur= on =Montmartre=, erected by Paul Abadia (1774-1812).
UNITED STATES
In the United States the Gothic Revival made its appearance as early as
1839-40, in the work of two English architects, Richard M. Upjohn and
James Renwick. The former was entrusted with the rebuilding of =Trinity
Church, New York= and later erected the =State Capitol= of =Connecticut=,
while Renwick is responsible for =Grace Church= and =S. Patrick’s
Cathedral=, New York.
With the advent, to be noted later, of architects trained in the Ecole
des Beaux Arts, the Gothic vogue declined. But in the past ten years it
has taken on a new life of remarkable achievement, under the leadership
of the New York and Boston firm of Cram, Goodhue and Ferguson, which
recently has been dissolved, the late partners now working
independently. The vitality which they have succeeded in giving to their
work in the number of examples distributed over the country may be
traced to two causes.
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