=Corinthian Order.=--The Corinthian order represents a still further advance in ornateness, which however by the Hellenic architects was confined to the capital of the column. For the base and shaft of the columns and the entablature followed the Ionic order. The embellishment of the capital may have been derived from the old custom of attaching metal ornaments or actual foliage to altars and pedestals; and it may be possible to trace the growth of the Corinthian style from the Ionic in the repeat of palmettes that occurs below the volutes in the capitals of the east portico of the =Erechtheion=. On the other hand, the general bell-form of the capital may have been derived from Egyptian lotus capitals. The Corinthian order was used by the Athenians only in their smaller structures[2] and reached its most refined form in the =Choragic Monument= of =Lysicrates= in =Athens=. Here the flutings of the shaft terminate at the top in leaves that curve outward. Above them is a band that may have been covered with a bronze collar, from which spring a row of small lotus leaves. Then come eight beautiful acanthus leaves, between each of which is an eight-petalled rosette, suggesting a lotus-flower. They are surmounted at the corners by stalks of the acanthus, partly sheathed with leaves, that turn over with a spiral and form scrolls to support the abacus. The latter in the Corinthian order has concave sides. The details vary so much in Hellenic examples of Corinthian capitals that, as we have already noted, the type had not yet been developed into an independent order. Its final development was worked out by the Romans, to whom its magnificence especially appealed. =Ornament.=--The _acanthus_ plant belongs to Southern Europe and the warmer parts of Asia and Africa. The common species found throughout the Mediterranean, has large, deeply cut, hairy leaves. As a decorative motive the Greeks first reproduced it in metal and then carved it in stone, using it with particularly fine effect on the upright form of tombstone known as _stela_. While they conventionalised the leaves, they preserved the character of vigorous and at the same time graceful growth. They gave a sharpness to the tips of the leaves that distinguishes their use of it from the Roman. The _anthemion_ ornament is often called the “honeysuckle pattern” from its resemblance to that flower. But it is supposed to be a conventionalisation of the flower of the acanthus, while related as a decorative motive with the forms of the Egyptian lotus and the Persian palmette. The _egg-and-dart_ border presents a repeat in which the form of an egg, set in a concave oval, alternates with a vertical bar that may or may not terminate below in a more or less pronounced arrow-tip. It permits the most subtle treatment of the planes of the egg, and of the contrast between the smooth surfaces and the sharpness of the other details.