“This is a series of trefoil headed arcades of three mouldings, resting on slender Early English shafts, each spandrel having been filled with carvings which take high rank among the best of the English school of the Thirteenth Century. They have now been, to a great extent, restored (by Boulton), and many, including all at the east end, are entirely new. The best of the old ones are figured by Aldis; and the most interesting, whether entirely ancient or partly restored, are as follows, starting from the west wall of the south-eastern transept: “Two crusaders fighting a lion. A centaur. An angel weighing a soul, and the devil pulling down the scale. Devils roasting a soul in hell. The Jaws of Death. A body borne to burial. Expulsion of Adam and Eve. An angel leading a righteous soul to heaven. The dead rising from coffins. Christ enthroned. The archangel blowing the last trump. An angel holding a cross. “_South Aisle._--Two monks building. A queen instructing an architect. Two monks discussing plans. A devil with bird’s claws, riding on a man’s shoulders. The Crucifixion. “_Lady-Chapel._--Centaur and crusader. Prophets and Bible subjects (modern), grotesque. “_North Aisle._--Bishop offering a model of the cathedral at an altar (perhaps Bishop Henry de Blois, d. 1236). The Annunciation. The Visitation. The Nativity. “_North Transept._--Old Testament subjects. A bishop. A monk chastising a novice.”--(E. F. S.) The tracery of the windows in the choir aisles and the Lady-Chapel is modern, patterned on Early English models. The entire east wall is modern. The window consists of five lights in two tiers. The glass dates from 1860 and represents the _Crucifixion_ and the _Ascension_. In the south aisle of the Lady-Chapel we notice one of the finest effigies in the building. It is a Fourteenth Century lady, whose left hand holds the cord of her cloak. A little dog lies at her feet. It is interesting to compare this with another unknown effigy of a lady of the Thirteenth Century in the north aisle of the Lady-Chapel. The left hand holds a glove. In front of the altar and on the floor of the Lady-Chapel are the effigies of =Bishop William de Blois= (died 1236) and his successor =Bishop Walter de Cantelupe= (died 1265). The latter is in higher relief than the former and was originally set with gems. In the north aisle we must also note the large effigy of =Sir James de Beauchamp=, in complete armour with surcoat and long shield of Henry III.’s reign. Beneath the reredos lies the richly robed figure of =Hawford=, Dean of Worcester in 1553-1557. On the south side lies =William, Earl of Dudley=, in white marble on arches of alabaster. The Lady-Chapel is of the same date as the choir.