“The choir is remarkable for the great beauty of the wood-work which it contains, as well as for its architectural merits. The style is that of the transition between the Early English and Decorated. The north side differs from the south, especially in regard to the mouldings. The north side is earlier than the south, the building having been commenced at the east end of that side. The mouldings on the north are bold rounds, while those on the south are shallow and small hollows. The triforium has a series of elaborately-carved cusped arches, and the clerestory windows are light and graceful with geometrical tracery. The vault is modern, constructed of good English oak. At the east there are figures of the sixteen prophets and at the west are angels playing musical instruments. There are some curious grotesque corbels, from which the vaulting shafts spring. “The carving of the CHOIR STALLS is equal, if not superior, to anything in England. These are Fourteenth Century work and rival the noble stalls of Amiens. They have been restored with much accuracy and taste. The carving of the dean’s stall should be noticed, as it represents the Jesse tree, surmounted by the Coronation of the Virgin. That representing Jacob’s Dream is modern. The _misereres_ are extremely interesting and curious and full of religious instruction, though often conveyed in the way of sarcastic reproof. There are forty-eight, of which three are modern. Some of the most curious are: a pelican feeding her young; St. Werburgh and the stolen goose; a wife beating her husband; the strategy of the fox; stag hunt; Richard I. pulling out the heart of a lion; a fox in the garb of a [Illustration: CHESTER: CHOIR, WEST] [Illustration: CHESTER: CHOIR-STALLS] monk presenting a gift to a nun; various wild men; wrestlers; unicorn resting its head on a virgin’s knee, and numerous grotesques.”--(P. H. D.) The =Altar= is modern and is made of oak of Bashan, olive-wood from the Mount of Olives and the cedar of Lebanon. The Reredos, a mosaic of the Last Supper, the Pulpit and the Bishop’s Throne are all modern. For many years the =Shrine of St. Werburgh= was used for the latter. We pause to look at this interesting piece of Fourteenth Century work, remembering how many eyes of Mediæval pilgrims have gazed with reverence upon it.