“The window contains eight lights. These lights are coupled in pairs by four arches with a quatrefoil in the head of each, and again formed in groups of four by an ogee arch above the other arches. The flowing curves of these ogee arches are most ingeniously and beautifully worked into the pattern of the upper part of the window, which contains five main divisions of stonework, each like the skeleton of a leaf in shape and in the delicacy of its pattern. Of these five divisions the top one is made by splitting up the central mullion; two diverge from it at the top of the lower lights; and two others curve inwards from the outside arch. The central mullion runs up almost to the top of the arch. The mullions are alike in moulding and size. Below the window is the west door, the head of which is filled with ancient stained glass. There is a gable above it, running up to the bottom of the window and containing three niches. There are kneeling figures on each side of the gable, so that the top of it may have held a figure of Christ. All that portion of the west end not occupied by the window and the porch is filled with stories of niches and arcading.”--(A. C.-B.) The windows of the aisles of the nave are Decorated. The =Nave= contains eight bays. Each bay consists of two main divisions: the upper half containing the triforium and clerestory; and the lower half, the main arches. A slender moulding runs between the two divisions. The piers consist of a group of separate shafts and the capitals are very delicate in design. The triforium is little more than an extension of the clerestory window-lights; but a band of stone ornamented with quatrefoils separates triforium and clerestory. The clerestory windows are geometrical Decorated. The design is much admired. “It consists of five lights, the two outer of which are grouped in a single arch, with a quatrefoil piercing in its head. Between these two arches and on the top of the arch of the central light is a circle fitting into the arch of the window, and ornamented with four quatrefoils, four trefoil piercings, and other smaller lights. There are capitals to the outside shafts of the windows, and to the main shafts of the two inner mullions. All these mullions are very delicately moulded. “The first window from the west end is plain. The glass in the other windows is rather finer and less fragmentary than in the north aisle. “The second window appears to have been largely restored. The tabernacle work is very crude in colour. It contains figures of St. Laurence, St. Christopher, another saint, and three coats-of-arms below. The top lights are fine, and perhaps of Perpendicular date.