Fifteenth Centuries, yet it is from the ground to the roof the original Norman building begun by Walkelyn. The extreme western part was rebuilt by Edington, who began the transformation of the Nave from the Norman to the Perpendicular, and continued by his successor William of Wykeham (1366-1404). At Wykeham’s death in 1404 the south side of the Nave was finished and the north begun. The work was continued and finished by his successors, Cardinal Beaufort and Bishop Waynflete (1404-1486). The arms on the bosses of the vault of the nave are those of Wykeham, Cardinal Beaufort and John of Gaunt (the latter’s father); the chained white hart is the device of Richard II. and the lily that of Bishop Waynflete. Students may compare the Nave of Winchester with the Choir of Gloucester, which is also Norman in plan, “overlaid with a veneer of masonry in the Pointed Style.” The Gloucester Choir is, however, of later date, and instead of showing an amalgamation of the two styles, as at Winchester, the Pointed is added to the Round-arched style. The curious black basaltic stone =Font= was probably the gift of Bishop Henry de Blois (1129-71), and some antiquarians think that it was brought from Constantinople during the Second Crusade. The carvings represent St. Nicholas of Myra, the patron saint of children, and much honoured by the Normans. “Within the walls the most striking object of interest is undoubtedly the famous Norman font of black basaltic stone, which was probably placed in the church in the days of Walkelyn; it portrays in bold if rude relief the life and miracles of St. Nicholas of Myra. Next after the font may perhaps be noted the fine carved spandrels, Fourteenth Century work, of the choir-stalls, with the quaint _misereres_ of the seats; then Prior Silkstede’s richly carved pulpit of the Fifteenth Century, and the very interesting and valuable Renaissance panels of the pews, put in by William Kingsmill, last prior and first dean, in 1540. The chantries and tombs in this church are of unusual beauty and interest.”--(G. W. K.) At the west end of the north aisle a square stone gallery called the tribune is part of Edington’s work. It was used as a =Minstrels’ Gallery= on great occasions. The nave =Pulpit= was a gift from New College, Oxford, in 1885. In the north aisle there is a monumental brass in memory of =Jane Austen=, the authoress, and near the south-west door are fixed the flags of the 97th Regiment and memorials of the Crimean War. The west window of the south aisle is filled with stained glass to their memory.